1.
On the Subjective Similarity of Woman Literature and the Poor People Literature
女性叙事与“底层叙事”主体身份的同构性
2.
Narrative of People at the Social Bottom:A Self-Rescue Campaign of Discourse in the Literary Circles
底层叙事:文学界的一场话语自救运动
3.
The Grassroots Narration in Anecdotes of Eight-li Wilderness and the Discourse Plight of Chen Yingsong;
《八里荒轶事》的底层叙事及陈应松的困局
4.
Play the Suona Horn of the Life at the Bottom of Society--On the View of Narration in Liu Qingbang's Novels
吹响民间底层生命的唢呐——底层叙事视野中的刘庆邦小说
5.
The Artistical Features of Liang Xiao-sheng s Narration about the Grassroots Since 1990s;
九十年代以来梁晓声底层叙事的文本艺术特色
6.
Two Attitudes of Literature towards Reality--take "bottom narration" as an example;
文学面对现实的两种姿态——以“底层叙事”为例
7.
Employed Rural Workers' Literature and Narratology in Context of Culture
当代文化视野中的打工文学与底层叙事
8.
Liang Xiao-sheng s Narration about the Subaltern Class Since 1990s;
论二十世纪九十年代以来梁晓声小说创作中的底层叙事
9.
Spiritual Demand and Exploration--Analysis of the spirits in Kissing Chang an Road by Xia Tianmin;
底层叙事的精神诉求——夏天敏《接吻长安街》的精神解构
10.
A Kind of Narration at the Bottom of Society:"Lingual Decolonialism" Under Rustic Reality--On the Artistry of Chen Yingsong’s Novels
底层叙事一种:乡村写实下的“言语解殖”——陈应松小说艺术论
11.
On "Narrating the Bottom Class" Based on New Century s Literature Background;
新世纪文学背景下的底层叙事空间略论——当代文学前沿问题论衡之一
12.
Suffering Narration: Talk about Farmers Flooding into City for Job in the Period of 1980s-1990s
城乡两域·底层视角·苦难叙事——论转型期以来的“乡下人进城”叙事
13.
Personal Speaking, Bottom Experience and Female Narrating-Taking Linbai for Case Study;
个人言说、底层经验与女性叙事——以林白为个案
14.
Puzzle in Narrating the Story About Low Estate;
底层世界叙说的困惑——底层小说创作现状解析
15.
The Demonstration of Culture in the Narration of Water Margin by the Lower-class People
底层叙述在《水浒全传》中的文化抉择
16.
The Thought of Time--the Narratology Analysis of The Temptation of GangDiSi;
时间之思:《冈底斯的诱惑》的叙事学分析
17.
On the surface narration and profound tragedy meaning of the Palace of Eternal Youth;
论《长生殿》的表层叙事与深层悲剧意蕴
18.
The Comparison of Reading Between People In Middle Age and The Enticement Of GangDiSi;
从“宏大叙事”到“叙事游戏”——《人到中年》和《冈底斯的诱惑》的比较