1.
Contemporary Film and Chinese Film Development;
《当代电影》杂志与当代中国电影的发展
2.
Reviewing the Contmeporary Film Theory and Pratice by Contemporary Cinema
中国当代电影理论与实践——从《当代电影》考察
3.
Contemporary Cinema and Its Cultural Mission
《当代电影》的当代性及其承担的文化使命
4.
Image of the City: A Perspective of Contemporary Film Criticism;
都市意象:一个当代电影批评的新视角
5.
Subversion of the Role: Gender Strategy in Contemporary Korean Films;
论韩国当代电影的性别角色颠覆策略
6.
Contemporary Cinema in 1980s
理论引进与批评实践——20世纪80年代的《当代电影》
7.
The Research on Sound Design of the Four-Dimensional Film;
当代电影四维影像中声音设计的再认识
8.
On the Influence of the French New Wave on Chinese Contemporary Cinemas;
试论法国“新浪潮”对中国当代电影的影响
9.
The Communication Analysis of Shanghai Culture;
中国当代电影中的上海影像——海派文化传播分析
10.
The Contemporary Language Context and the Contemporary To ken of the Postmodern Movie;
后现代电影的当代语境及当代性表征
11.
The Cities in The Chinese Movies;
电影城市:当代中国电影的城市想象
12.
Talking on the Image Features of Contemporary Swordsman Movies from the Movies Directed by Zhang Yi-mou
从张艺谋电影看当代武侠电影的影像特征
13.
The Modern Women s Films in China,the Existence of Women and Their Future--Take Three Modern Women s Films for Example;
中国当代女性电影、女性生存及未来——以三部当代女性电影为例
14.
A Study of Modern Chinese Private Film Production Company Investment Tendency;
中国当代民营电影公司投资趋势分析
15.
The Present Phenomenon of Neo-mysticism in Magical Fantasy Movies;
从“魔幻电影”看当代“新神话主义”现象
16.
Research to Globalization Theory and Tacties of the Chinese Contemporary Film;
当代中国电影全球化理论与策略研究
17.
The Novel Arrives to Movie: Modern Chinese Literature s Conversion Research;
小说到电影——中国现当代文学转化研究
18.
Audio-Visual Effect: Televised Lecture and the Face of Contemporary Culture;
视听效应：电视讲座与当代文化面影