1.
The Style Of Writers And The StyleOf The Brilliant Scholar--Commentary On The Viewpoint Of Novel Theory Of Jiyun;
著书者之笔和才子之笔——纪昀的小说观评析
2.
Pencils in the press box flew frantically.
记者们则低头振笔疾书。
3.
This, he believed, was particularly true of calligraphy.
书法之变，尤为显著。
4.
"Classic" A book which people praise and don't read.--Bernard shaw
所谓“古典名著”者，即人们加以赞美而并不阅读之书也。——马克吐温
5.
This samurai moral is not a law either not a rule.
此种武士道精神，既非法律、亦非约束、仅仅口传或学者之著述所书。
6.
The complete text of the essay "The Pavilion of the Old Drunkard," as inscribed by Su Dongpo the famous Song Dynasty man of letters, is found in the hall known as Hall of Precious Calligraphy in which lovers of the art as a rule like to linger.
苏东坡手书的著名碑刻《醉翁亭记》全文，立于“宝书斋”内，这里是书法爱好者流连忘返之地。
7.
A collaborating or joint author.
合著者之一一位合作或联合的著者
8.
The nib of a fountain pen adjusts itself to the user's writing style as it wears down.
钢笔的笔尖会依照使用者的书写风格发生形变
9.
The author autographed his book.
那个作者在他的书上亲笔签名。
10.
I asked the author to autograph my book.
我请作者在书上亲笔签名。
11.
The beauty of style of the book arrested the reader.
这本书优美的笔调吸引了这位读者。
12.
According to one, it was Wang Xizhi, the supreme calligrapher of China, that did the inscription.
有人说，这是书圣王羲之手笔。
13.
What is individualism? Reading notes, series one
何物个人主义——读书笔记(之一)
14.
On the Name of "Chun-qiu shufa" and "Chun-qiu bifa";
从“春秋书法”到“春秋笔法”名称之考察
15.
A Discussion on Mid Tip and Side Tip of the Writing Brush;
中侧之辩——关于书法用笔的局部探讨
16.
Look at the Differences among Su、Huang and Mi s Calligraphies from the Techniques of Their Writing;
从笔法角度看苏、黄、米书法之不同
17.
Writing Should Serve the Readers;
著书当为读者谋——谈曹雪芹的作者与读者关系观
18.
A great book need not even be a best seller in its own day.
一部名著无须在问世之际就成为畅销书籍，读者数量的积累需要时日。