1.
A Study of Rhyming in Poetry and Prose in the Liang Dynasty;
梁代诗文阳声韵入声韵用韵数理分析
2.
The Separation and Combination of Ancient Entering Tone inyinyunjicheng;
论《音韵集成》对中古入声韵的分并
3.
Studies on the Evolution of Nasal Rhythm End and Consonant Rhythm End of Modern Age Chinese;
近代汉语阳声韵尾和入声韵尾的演变研究
4.
On Development of Syllables and Tunes of Ru Sheng;
论入声韵音节声调的演变——《入声论》之十三
5.
A Research on the Entering Tone with [i] Glide in Southwest Mandarin of the Northern Hubei Province;
西南官话鄂北片入声韵带i介音现象探析
6.
Types and Evolution of the Tail Consonants of the Entering Tone of the Southern Dialects in Chinese
汉语南方方言入声韵尾的类型及其演变
7.
The Dialectal Phenomena Reflected by the Rhyming between Yin Rhyme and Ru Rhyme in the Poetry by Poets from Sichuan in Song Dynasty(宋);
宋代四川诗人阴声入声韵通押中的方音现象——宋代四川方音研究之二
8.
Entering Tone Character of Broad Rhyme Reflected in Liaocheng Dialect;
《广韵》的入声字在聊城方言中的变化
9.
The True Nature of Entering Tone as the Third Tone;
论《中州音韵》“入作三声”之实质
10.
On the Use of Tones and Rhymes in New and Ancient Poetry--Poetic rhyme reform(C);
九道辙无入声,便利吟诗人——诗韵改革C
11.
Analysis of the Representing View of "No Entering Tone" in Central China Phonology;
《中原音韵》无入声说代表观点论析
12.
NO ENTERING TONES EXIST IN ZHONGYUANYINYUN;
《中原音韵》无入声证——兼与金欣欣先生商榷
13.
On the Nature of "Entering Tone Redistributed among the Other Three Tones" in The Initial, Final and Tone of a Character in Zhongyuan Chinese Speech;
《中原音韵》“入派三声”性质辨析──从“剧”字音说起
14.
A Study on the Tone System of Yuan Yun Pu--Even Tone Feature and the Existence of Entering Tone;
论《元韵谱》声调系统的两个问题——平分阴阳和保留入声调
15.
Incomplete Pinyin codes refer to the Chinese character Pinyin input codes with omissions in syllable initials,finals or tones.
“不完全拼音码”指在声、韵、调等方面有所省略的拼音输入码。
16.
On the Modification and Disappearance of the Entering Tone in HeBingZiXuePianYunBianLan in the Middle Ancient times;
中古入声在《合并字学篇韵便览》中消变状况之分析
17.
Research On The Expression Of The Art Of Erhu By Jiang Fengzhi;
润声作韵 细腻入微 蒋凤之二胡艺术表现手法研究
18.
Study on Phonetic System of Zengxiuhuzhulibuyunlue;
《增修互注礼部韵略》声韵系统研究