1.
Brecht in China: 1949-2006;
布莱希特在中国：1949-2006
2.
On Brecht s Theatrical Creation Ideology;
论德国戏剧家布莱希特的戏剧创作观
3.
Brecht s "Verfremolungs-Effekt" and Visotsky s Poems;
布莱希特之“陌生化”与维索茨基的诗歌
4.
A New Study on the Theory of Allienaction Effect;
对布莱希特“间离效果”理论的再认识
5.
Of Brarite′s Moral Play Sichuan and Its Nice Men;
论布莱希特的寓意剧《四川一好人》
6.
On“the effect of unfamiliarization”of German dramatist Brecht;
论德国戏剧家布莱希特的“陌生化效果”
7.
The Death of the Actor?--On Bertolt Brecht’s Critical Reception Theory
演员已死?——布莱希特的批判接受理论
8.
Was ist die Bedeutung des "Sehens" in Brechts Leben des Galilei?
“看清”在布莱希特的《伽利略传》中是什么意思？
9.
Die Eigenartigen Elemente Vom Epischen Theater Brechts;
布莱希特叙事体戏剧中的典型因素之研究
10.
Brecht in the Chinese Eye:From Theory to Stage Practice;
中国视野中的布莱希特——从理论阐释到舞台演出
11.
On the Influence of Chinese Classical Philosophy on Brecht;
论中国古典哲学对布莱希特创作的影响
12.
Disclose the Drama into Drama--My Point of View about the Brecht s Theory of Being Strange;
让戏剧暴露为戏剧——布莱希特陌生化理论之我见
13.
On The Influence Of Chinese Culture On Blackhit;
论中国文化对布莱希特戏剧实践和理论的影响
14.
The Alienation Theory” came from Russian Formalism, which is the synonym of Brecht's theatre theory.
陌生化理论”来自于俄国形式主义,是布莱希特戏剧理论的代名词。
15.
This article focuses on the misreading of Brechtian theatre theory in the "New Period "in China.
本文探讨了新时期戏剧界对布莱希特戏剧理论的解读。
16.
A great experiment on the stage of contemporary theatre--discussion of Bertolt Brecht s theory of “epic theatre”;
当代戏剧舞台上的一种伟大尝试——略论布莱希特的“史诗剧”理论
17.
Study on Human Nature Alienation in Bertolt Brecht s Drama--Taking the drama "Galileo s Biography" as the example;
论布莱希特戏剧中的人性异化——以戏剧《伽利略传》为例
18.
Unfamiliar Angle of View Rational Thinging --On Bertolt Brecht`s the Good Women of Setzuan;
陌生的视角 理性的思辨——评布莱希特的《四川一好人》