1.
Trend of Scholar Drawing in Ming and Qing Dynasties: A Perspective of Ni Zan s "Natural Grace";
从倪瓒的“逸气”窥探明清文人绘画思潮
2.
On the Zen Buddhism s Influence on the Thinking Mode of Chinese Literati Painting;
禅宗对中国文人绘画思维方式的影响
3.
Talking about the Intension of the Image of "Black Bamboo" in the Paintings of Chinese Scholar;
试论中国文人绘画中"墨竹"形象的内涵
4.
An introduction to production of non-audio-visual knowledge of Chinese scholars drawings;
浅谈中国文人绘画非直观认识的产生
5.
The Recognition on Meticulous Painting in the Traditional Painting of Man-of-letters System;
对传统文人绘画体系中工笔画的再认识
6.
On the Relationship Between Buddhist Practice and Ancient Chinese Scholar Painting;
论佛法实践与中国古代文人绘画之关系
7.
Shallowly Discussed Two Song "the Courtyard Body" the Drawing and "the Painting of a Scholar" Gives the Later Generation the Influence;
浅谈两宋“院体”绘画和“文人画”予以后世的影响
8.
The Reflection of Chinese Traditional Literati Drawing and Western Modernism Painting;
中国传统文人画与西方现代主义绘画的思索
9.
The Double Impact of the Professionalization of the Schola--painters in the Ming and Qing Dynasties Upon the Painting Value;
明清文人画家职业化对绘画比德观的双重影响
10.
Theory of Chinese literati painting painting;
中国绘画之文人画的历史演进及艺术特征
11.
Western abstract art and artistic thoughts in traditional Chinese paintings by scholars and officials;
西方冷抽象绘画与中国文人画美学思想
12.
Friendship of Literators and Painters in the Southern Yangtze River Area in the Ming Dynasty;
明代江南文人画家的交谊及对绘画艺术的影响
13.
A comparison between paintings by amateur literati in the Qing Dynasty and western modern painting;
中国明清文人画与西方现代派绘画之比较
14.
"Sage God, in Splash-ink"
泼墨仙人图（绘画）
15.
Paintings of Italian Renaissance and Humanism;
意大利文艺复兴盛期的绘画艺术与人文主义
16.
Image·Picture--humane imagery consideration in painting teaching ofcontemporary synthetical materials;
意象·图像——当代综合材料绘画教学中的人文思考
17.
His suggestion that paintings should be done and viewed for enjoyment was appreciated by the literati.
他主张绘画不过"逸笔草草，不求形似"，"聊以自娱"，多为文人画家所称道。
18.
Valuable Drawings No One Was Able to Enjoy The Embodiment Of Chinese Literary Painting Spirit In Xu Wei s Painting;
闲抛闲掷的笔底明珠——中国文人画精神在徐渭绘画中的体现