说明:双击或选中下面任意单词,将显示该词的音标、读音、翻译等;选中中文或多个词,将显示翻译。
您的位置:首页 -> 句库 -> 宋代石刻
1.
Stone Diagrams of the Song Dynasty in theConfucian Temple, Suzhou
苏州文庙内宋代石刻
2.
On the Images of Stone-Carved Figures of Taosim before the Song Dynasty;
宋代以前道教太上老君石刻造像形象初探
3.
Discussion on Tourism Mentality of Song Poets Travelling in Guilin from the Poems of Stone Inscriptions
从桂林石刻诗看宋代旅桂文人的旅游心态
4.
Carved between the late Tang and Qing dynasties, principal pieces emerged from the hands of Song dynasty craftspeople.
该石刻开凿于晚唐到清代,大部分成像于宋代工匠之手。
5.
Block-printed books did not appear until the Song Dynasty.
及至宋代,方有刻本。
6.
Characteristics of Carved Stone at Beishan, Dazu Grotto of Song Dynasty and Examining Residents’ Consciousness in Bayu;
宋代大足北山石刻装饰特征与巴渝市民意识探微
7.
A Preliminary Survey on the Art of Southern Song Stone Carvings along the Shrine Passage in Dongqian Lake Area in Yin County
鄞县东钱湖南宋神道石刻艺术初探
8.
Influence of Inscription Study in the Song Dynasty upon the Painting Study
宋代新兴金石学对宋以来画学的影响
9.
The original carved inscription based on the handwriting of Wang Xungong of Song has long been lost to the world.
宋代王郇公书的张继诗原刻,早已失传;
10.
Rock and Stone Inscriptions of Ancient Indonesia
印度尼西亚古代刻石
11.
On WANG An-shi s Reform of Changping Storage in the Song Dynasty and Its Effects;
论王安石对宋代常平仓的改革及影响
12.
It has presented its unique art elegant demeanour in image of Buddha carving aspect in Song Dynasty.
在佛像雕刻方面宋代呈现了它独特的艺术风采。
13.
Robbery of the National Treasury and Emergence of Seal Cutting--Study on Calligraphy and Painting Forgery in the Song Dynasty(Ⅱ)
国库失窃与篆刻兴起——宋代书画作伪研究之二
14.
Comparative Studies on Jigulu and Jinshilu in the Song Dynasty;
宋代金石学的双璧——《集古录》、《金石录》比较论
15.
A Study on the Stone Relief with Inscriptions in the 2nd Year of Yua njia Reign, Liu-Song Dynasty;
南朝法华经普门品变相——论刘宋元嘉二年铭石刻画像的内容
16.
The Study of Two-Dimensional Stone Arts of Southern Song Dynasty Tombs in Southern Sichuan
四川南部南宋墓葬二度空间的石刻造型艺术研究
17.
Phonetic Study on Stone Inscriptions in Liao Dynasty;
辽代石刻别字异文所见辽代汉语语音
18.
From them we see that Song Dynasty sculptors paid great attention to revealing the inner world of their figures.
从而,也体现了宋代雕塑注重对人物心理刻画的艺术特点。