1.
This article will first discuss" Qu Fai Ti", looking at different scholars' definitions of" Qu Pai Ti".
其三、曲牌的性格、牌的名称来源以及曲牌的运用与发展等方面，提出笔者对曲牌体的看法。
2.
Paizi qu, or folk tunes, had their historical origin chiefly in the folksongs of the south.
牌子曲，顾名思义，是由历来的南北小曲(曲牌)作为音乐主体的，
3.
Paizi qu broke out of the mold of the northern and southern music, which was limited to sets of gong diao music,
牌子曲突破了南北曲只用同宫调曲牌入套的限制，
4.
The Impact of Literati lyric on Nanbeiqu Melody in Ming and Qing Dynasty;
论明清时期文人曲词对南北曲曲牌定腔的影响
5.
On the Characteristics of Sentence Structures and the Categories of Changyang Nanqu Qupai "Nanqu Tail";
长阳南曲曲牌[南曲尾]曲词句式特点与分类之再分析
6.
The significance of the qu tunes lies not merely in their musical material,
曲牌产生的意义并不在于仅仅将曲牌作为音乐素材，
7.
Small Tunes (Xiao chang) in Ming Dynasty Story- Telling;
明代的“小唱”——从《金瓶梅词话》中唱曲牌的曲艺谈起
8.
Wei Liangfu, Tang Xianzu and Jiang Baishi --Relationship between Quchang and Qupai;
魏良辅·汤显祖·姜白石——“曲唱”与“曲牌”的关系
9.
A Study on the Tune Sort of Shizi Xu in Nanqu Jiugong Zhengshi;
《南曲九宫正始》[狮子序]曲牌的宫调归属论析
10.
Five Clappers is a representative northern bangdi piece of music. It was originally an instrumental qu tune, common in North China.
《五梆子》，原为华北地区流行的器乐曲牌，
11.
Primary Investment and Analysis to Regional WuShengFo (a Kind of Music Rhythm);
对各地《五声佛》曲牌的初步考察与分析
12.
A Research on the Standardized Form of Tune Name of Jiangxi Yiyang Tune (Zhuyunfei);
论弋阳腔〔驻云飞〕正体曲牌音乐特征
13.
Research on Relation between Tunes Name and Tune of Two Gaoqiang Tunes of Jiangxi Opera;
赣剧两路高腔曲牌和腔调关系的研究
14.
A Quantitative study on the Yuan Dynasty s drama tunes and melodies;
元杂剧宫调、曲牌运用情况的量化研究
15.
The Musical Meaning of the Music for Voice of Qu Pai in Tang Xianzu s "the Opera of Handan;
汤显祖《邯郸记》曲牌唱腔音乐意义
16.
Sihe Ruyi, also known simply as Sihe, is a qu tune medley composed of eight interrelated parts.
《四合如意》(又称《四合》)，是由8首曲牌联缀而成的大型套曲，
17.
Pure percussion qupai tunes are found in the music of every part of China.
各地的乐种中都有许多纯粹的打击乐器曲牌。
18.
The Relationships Between Danxianr and the Origins of Changyang South Opera;
单弦牌子曲与长阳南曲渊源关系探讨