1.
New Visual Aesthetics of Traditional Chinese Calligraphy;
中国传统书法艺术的新视觉审美倾向
2.
Position and effect of inkstick in chinese traditional calligraphy;
墨法在中国传统书法艺术中的地位和作用
3.
To use the traditional handwriting in the designing of modern art;
我国传统书法在现代艺术设计中的运用
4.
Chinese Traditional Calligraphy Should Be Incorporated in Art Education in Higher Teachers Colleges;
将中国传统书法艺术融入高师艺术教育之中
5.
Research of Hierarchy of Tradition and Innovation of Calligraphy;
论书法传统与书法创新的层次与结构
6.
On the Inheritance of Traditional Calligraphic Technique from the Perspective of Wang s Calligraphy;
由王系书法的发展看书法传统笔法的继承问题
7.
Traditional Features of Calligraphic Art and Views on Esthetics of Calligraphy;
书法艺术的传统特质与书法美学的文化观照
8.
Calligraphy Tradition: Unsurpassable “Reis”-- On Vogue Calligraphy Style and Present-day Calligraphy;
书法传统:无法超越的“现实”——兼论流行书风与现代书法
9.
Shu Fa Ya Yan:Clarion Call in Calligraphy Circles of Late Ming to guard tradition
《书法雅言》正宗观:晚明书坛捍卫传统的号角
10.
Tradition and Innovation in Creative Work of Calligraphy
关于书法创作中“传统”与“创新”
11.
Calligraphy art is the Chinese traditional culture treasure.
书法艺术是中华民族传统文化的瑰宝。
12.
On SU Wei-dong s Calligraphic Creation;
传统 创新 个性——评苏位东的书法创作
13.
Origin and Evolution of Emperor Gaozong s Handwriting and Traditional Calligraphy;
论宋高宗书法与传统帖学的源流关系
14.
Traditional Existence and Development Methods of Chinese Calligraphy:In the Perspective of Spreading
中国书法的传统生存与发展方式——从传播的视角
15.
Calligraphy can not progress without the influence of tradition, whereas calligraphic innovation is trying to flounce away the bondage held by tradition.
书法的发展离不开传统对它施加的影响，而书法的创新又力图挣脱传统对之的束缚。
16.
he developed the tradition of combining poetry, calligraphy with painting.
他发展了融诗、书法及绘画于一体的传统。
17.
Returning of the Calligraphic Arts and Referencial Roles of the Traditional Works;
书法艺术的回归和传统作品的参照作用
18.
Formal Meaning and Abstract Implication of Traditionaland Modern Calligraphy;
论传统及现代派书法的形式意义与抽象观