1.
Poems for Senior People s Day--A Day for Revealing Poets Feelings of Sadness and Pleasant Sensation;
重阳诗:诗人悲戚与快感的双重倾泻
2.
Poems of Double Ninth Festival by Tao Yuanming and the Acceptance by Poets in Tang Dynasty;
陶渊明的重阳诗与唐代诗人的接受——以陶渊明重阳诗中的“菊”意象为中心
3.
Study on the Cultural Identity of "Quan Zhen Dao" School--Analyses of the Poems Teaching Method of Wang Chongyang to his Students;
全真道教之文化底蕴初探——王重阳诗魂育全真评析
4.
Gloomy Feelings Rising from Mounting High to Have Appreciated Chrysanthemums--Delving into and Analysing the Features of Mo Youzhi’s Poems Concerning the
登高赏菊点点愁——莫友芝重阳节诗创作特点探析
5.
(poetic) the orient sun.
（诗歌）“东方的太阳”。
6.
The unity of masculine and femininity--To Comprehend Li Qingzhao s Two Characters from Her Creation of Poetry and Ci;
阳刚与阴柔的统——从李清照诗词创作解读其双重性格
7.
The Contemporaneity Interpretation on Ouyang Xiu s Essence of Shijing;
“诗意”与“诗义”:欧阳修“诗本义”的现代阐释
8.
On the Poetic Ideas of Luoyang Parnassus in Xi Feng Period of the Northern Song Dynasty
论北宋熙丰时期洛阳诗人的诗学观念
9.
The Poetics Value of LI Meng-yang s Criticism to Shi Cong Collection;
试论李梦阳评点《石淙诗稿》的诗学价值
10.
Criticism in Original Meaning of Book of Songs to Preface to Book of Songs and its influence;
欧阳修《诗本义》对《诗序》的批评及影响
11.
A Comparative Study of the Image of Sun in Two Patriotic Poems;
爱国新诗的太阳意象——《太阳礼赞》、《太阳吟》之比较
12.
The Argumentativity and Leisure of Singing Poem of the Northern Song Dynasty Scholar--"Ming-Fei Qu"and ChongyangGathering for study
论北宋文人雅集唱和诗作的议论性与闲适性——以《明妃曲》唱和与重阳之会为考察中心
13.
Poetry poetry,poetry inside song--Pay attention to Chinese classical poems' musicality
诗歌诗歌 诗中有歌——应重视古典诗歌的音乐性
14.
Gold sword and iron horse -- Xinyang poetry array--A glance of A Strain of Chinese Scholartree Flower· A Selection of Xinyang Poetry in 1990s;
金戈铁马——信阳诗歌方阵——《一树槐花·九十年代信阳诗选》透视
15.
HAI Zi′s "The Sun" Series Long Poems and His Change in Poetic Ideas;
海子“太阳”系列长诗与其诗学理念的转变
16.
OU-YANG Xiu s Role from HAN Yu to Song Poetry;
论欧阳修对韩愈诗歌的接受与宋诗的奠基
17.
The King of Sun On the Sun Imagery of Haizi Poetry;
以梦为马的太阳王——论海子诗歌中的太阳意象
18.
The Sunset Emotion of Poets in Late Tang Dynasty;
夕阳无限好,只是近黄昏——晚唐诗人的夕阳情结