1.
The Collision Between Outlooks on Life of Metaphysics;
两种玄学人生观的碰撞——读嵇康嵇喜的赠答诗
2.
Ji Kang s Life and Development of Collections of Ji Kang;
嵇康的生平事迹及《嵇康集》的传播源流
3.
The relation between the idea of following social customs of Jikang and Jishao s being an official in the Jin Dynasty;
论嵇绍仕晋与嵇康“顺世随俗”思想之关系
4.
On the Metaphysical Implication of Ji Kang s Musical Ideas;
走出嵇康乐论研究的误区——也谈嵇康“声无哀乐”的思想意蕴
5.
Ji Kang:Taoism or Confucianism--A critical review of his thoughts of music esthetics;
嵇康是“儒”还是“道”——评嵇康音乐美学思想的影响与贡献
6.
Ji Kang in the View of Ecological Aesthetics
生态美学视野中的嵇康——试论嵇康美学的生态智慧及其当代意义
7.
Ji Kang s "Breakup Letter to Shan Juyuan" Is Not Actually a Breakup Letter;
嵇康《與山巨源絶交書》非絶交之書論
8.
Aesthetic Conceptions Seen through Ji Kang s Poems;
从嵇康诗中透视魏晋士人的审美理想
9.
Aesthetic Ideology against Confucianism in Jikang s Sound without Dirge;
嵇康《声无哀乐论》中反儒学的美学思想
10.
An Annotation to "Zi Yu s failure" in Ji Kang s 幽愤诗;
嵇康《幽愤诗》“子玉之败”句箋释
11.
On life ideal and it’s Aesthetic meaning of Jikang and Ruanji;
嵇康、阮籍的人生理想及其美学意蕴
12.
Heavily Supass--A Dicuicom of Seclusive Poems of Ruan Ji and Ji Kang;
超越中的沉重——论阮籍、嵇康隐逸诗
13.
Explore of Tian-lian :Research of Ancient Musicians in Qinfu written by Jikang;
“田连”考——嵇康《琴赋》中的上古乐人发隐
14.
The Harmony Aesthetical Ideology in Ji Kang s No Sadness in Music;
论嵇康《声无哀乐论》的“和”美学思想
15.
On the succession and development of The Book of Songs by Ji Kang s four-character poems;
论嵇康四言诗对《诗经》的传承与开拓
16.
On JI Kang s Qin Fu;
自然至响 千秋绝调——嵇康《琴赋》论
17.
Exploration on the Composing Time of JI Kang s “The Letter to SHAN Ju-yuanin Breaking Off Relations";
嵇康《与山巨源绝交书》写作时间考
18.
Projecting of life ideas: Ji Kangand his sages and men of virtue Biography;
生命理念的投射:嵇康与《圣贤高士传赞》