1.
The Nation s Character in Religious Paintings;
宗教绘画中的民族性格——关于中西宗教绘画异同的思考
2.
"Well, Western symbolic systems are more intellectually directed, their imagery has precise literary meanings and is intended primarily for narrative and devotional identification."
西方的象征系统更有理性，其意象有精确文学意义，并主要用于叙事性或宗教绘画。
3.
Between Religion and Painting;
宗教与绘画之间——中国绘画精神中的宗教性问题片论
4.
On Religious Thoughts, Social Life and Painting in the Han Dynasty
论汉代的宗教思想、社会生活与绘画
5.
The depiction of common ,everyday life in art, as opposed to religious or portrait painting for example.
用绘画表现每天普通的生活.反对宗教画和肖像画.
6.
Religion and Aesthetics: The Legitimacy of Western Paintings in the Middle Ages;
宗教与审美:西方中世纪绘画艺术的合法性探究
7.
Italian painter whose works, including religious subjects, portraits, and frescoes, exemplify the ideals of the High Renaissance.
拉斐尔意大利画家，他的宗教主题绘画，肖像画，壁画等作品集中代表了文艺复兴全盛时期的思想
8.
Christoan Influence on European Art --Religious Complex in Botticelli s Draws;
基督教对欧洲艺术的影响——波提切利绘画中的宗教情结
9.
The Asthetic Purpose of the Painting "Simple Nature Interest" ─Brief discussion on Buyantu s understanding and inheritness of Nanzong pictures spirit;
“淡然天趣”的绘画美学宗旨──简论布颜图对南宗画宗风之理解与继承
10.
There are different subjects in different kinds of paintings. The range and interpretation of subjects in different forms of devotional painting express a particular attitude to the relationship between man and his deity.
不同的绘画有不同的主题。不同的宗教画中主题的范畴和解释表现了人与神关系的特定态度。
11.
There is an articulated religious analogy: the painting-within-a-painting depicts the Last Judgment, balancing the scales of divine justice.
这里有一个清晰的宗教类比。画中画描绘的是“最后的审判”，在平衡着神的司法的天平。
12.
On the Zen Buddhism s Influence on the Thinking Mode of Chinese Literati Painting;
禅宗对中国文人绘画思维方式的影响
13.
The Features of the Painting Theory in "Twelve Avoidances in Chinese Painting";
《绘宗十二忌》画学思想的理论特色
14.
Study on the Painting Art of DongYuan and the Landscape Painting Model of Nanzong;
董源的绘画艺术与南宗山水图式管窥
15.
Appropriate whether Heavily or Lightly Painted --On Picturequeness of Zong Pu s Writing;
淡妆浓抹总相宜——谈宗璞创作的绘画美
16.
The traditional Tempera painting techniques is the expression the religious and spiritual historical limitation.
传统坦培拉技法严谨、繁琐，严格的绘画程序是宗教和古典精神的历史局限性的体现。
17.
The Enlightenment That the Concept of "Dao" and "Technique" in Zhuang-zi s Thought to the Painting Creation and Education;
庄子“道”“技”观对绘画创作和绘画教育的启示
18.
Attach Importance to Drawing Basic Course Enhance the Cartoon Teaching Effect;
重视绘画基础课 提高动漫画教学效果