1.
Hence the music and the dance lost their life and lost their aesthetic character.
从而泯灭生机，也就丧失了它的审美本性。
2.
Brief Discussion on the Basic Nature and Traits of Appreciating the Beauty of Art;
浅谈艺术审美鉴赏的基本性质和特点
3.
On Translator s Aesthetic Subjectivity in the Translations of Yumeiren;
从《虞美人》译本比较谈译者的主体审美性
4.
On Japanese Aesthetic Sense of "Small Is beautiful" and Its Significance;
论日本人“以小为美”的审美意识与文化特性
5.
The Esthetic Characteristics in Self-writing by Chinese-Europeans/Americans Authoresses;
欧美华人女性自我书写文本中的审美特质
6.
On the Nationality and Modernity of Japanese Graphic Design Aesthetic Implication;
日本平面设计审美意味的民族性和现代性
7.
Vitality Showing Itself in Ordinary Life--On the Aesthetic Characteristic of Beautifying Everyday Life in GU Tai-qing s Poems;
生机妙在本无奇——顾太清词日常性审美特征
8.
Thinking of the Nature of Life and Aesthetic Existence:The Essence of Marcuse s New Sensibility;
生命本然与审美存在之思:马尔库塞新感性实质
9.
Comment on Modern Popular Songs Basic Property and Aesthetic Characteristics in China;
试论中国现代流行歌曲的基本属性及审美特征
10.
On The Aesthetic Refleetion of Shen Congwen s Theory of Authentic Beingand His Artistic Creation;
论沈从文“本真”生存与文艺创作的审美反思性
11.
Studies into the Basic Formation of the National Folk Culture in Western China and its Aesthetic Characteristics
西部民族民俗文化的基本形态及其审美特性
12.
Aesthetic Comprehension and Aesthetic Sympathy : The Essential Parts of Aesthetic Inter-Subjectivity;
审美理解与审美同情:审美主体间性的构成
13.
Modernism,Modern Aesthetics and Artistic Aesthetics
现代性、审美现代性与艺术审美主义
14.
Discussion of the Folk Aesthetic Authoritativeness and Basic Fea-ture of the Activities of Fine Arts in the Rural Area;
论乡土美术活动中的民间审美权威性及其基本特征
15.
A criticism of Aesthetic Modernity: An ontologic explanation of Frankfurt School and Chinese Aesthetics in the Transforming Period;
审美现代性批判──法兰克福学派与转型期中国美学的本体论阐释
16.
Special Features of Network Literary Aesthetics and Its Deficiency;
网络文学审美的特殊性及其审美缺陷
17.
This text proceeds from this kind of current situation, examine the modern meaning of aesthetics of Schiller closely again under the aesthetic modernity vision .
本文就是由此现状出发,在审美现代性视野下重新审视席勒美学的现代意义。
18.
The Aesthetic Posture of Gender Antagonism--Discussing the Nominal Character of Feminine Poetics;
性别对抗的审美姿态——论八十年代女性诗学的本体特征