1.
The Way for the Weak--A Primary Analysis on the Female Narration Skill of the Novel Fusang;
弱者之道——浅析小说《扶桑》的女性叙事
2.
Discussing second person narration by analysing Fu Sang written by Yan Geling;
由严歌苓的小说《扶桑》谈第二人称叙述
3.
Luxuriant Narration--Expation on Yan Geling s Novel Fu Sang;
丰盈的叙事——解读严歌苓的小说《扶桑》
4.
The Voice of Ethnic Women--the Case of the Woman Warrior and Fusang;
族裔女性的发声——以《女勇士》和《扶桑》为例
5.
An Archetypal Analysis of The Lost Daughter of Happiness;
《扶桑》中的神话原型解析:追寻新的民族文化之根
6.
On the Root-Seeking of the Chinese Hibiscus by Yan Ge-ling;
严歌苓长篇小说《扶桑》寻根意识的三个向度
7.
Deconstruction, Reconstruction, Re-deconstruction --Three Processes of Fu Sang in Introspecting the History of Chinese Emigrants;
解构 重构 再解构——《扶桑》反思华人移民史的三重奏
8.
Comments on Narration in The Lost Daughter of Happiness by Yan Geling;
严歌苓的叙事意识及其《扶桑》的叙事解读
9.
An Trans-culture Feature under Perspective of Transformation--A Comparative Study between English Lover and Fu Sang;
多棱镜像营造的跨文化景观——《英国情人》与《扶桑》之比较
10.
The charm of a no-ending narration:an analysis on the second person pronoun in the narration "Fu Sang";
一种未完成的叙事状态的魅力——析《扶桑》叙事当中的第二人称
11.
Beautiful Love Poem Passing Through the Space and Time;
穿越时空的爱情华章——浅析《扶桑》中三种叙事角度的并用
12.
The Literature Worth of Ye Wei's transcript of Fusang Poetry Anthology
叶炜《扶桑骊唱集》钞本的文献价值
13.
On the Relationship between the Legend of Coriaria and Solar Holy Tree (Red Hibiscus) in Chu Culture in the Southwest China;
西南马桑树传说与楚文化太阳神树(扶桑)关系探讨
14.
Sonny sank back in the leather armchair.
桑儿在皮垫扶手椅上往后一靠，懒洋洋地坐着。
15.
Some scholars believe this Kingdom of Fusang is California.
一些学者认为这个扶桑国就是加利福尼亚州。
16.
Wang Tao and His Representation on Western Civilization in Late Qing Dynasty;
苍茫谁尽东西界——王—韬《漫游随录》、《扶桑游纪》读解
17.
On the Artistic Style of Fu Sang s Poems;
梦一样站立"的歌吟者——浅谈扶桑诗歌的艺术风格
18.
The Origination and Development of Japanese Movies;
扶桑疏影间的灵魂世像——日本电影的历史源流