1.
A Comparison of Directors between Ang Lee, the Fifth Generation and the Sixth Generation;
李安与中国第五代、第六代电影导演比较论
2.
Reconstructs the Sixth Generation of Movie the Generalrealistic Logic to Read the Solution;
重建第六代电影的一般现实逻辑读解
3.
The Analalysis of Specificity of Death Narrative about the Sixth Generation Film;
“第六代电影”中死亡叙事的特异性分析
4.
Avant-garde in Ruins--Expound in The Sixth Generation Film s Postmodernism;
废墟上的先锋——论第六代电影的后现代性
5.
Perplexed Announcement--Studies on the Narration Behavior of Chinese Films of the 6th Generation;
迷茫的告白——中国第六代电影的叙述行为研究
6.
The Combination of Two Extremes--On the Narration Style of Films of the 6~(th) Generation;
两极交汇的张力——论中国第六代电影的叙事风格
7.
Inheriting and Deviation--A Cultural Choice of Chinese Films of the Sixth Generation;
承继与背离——中国第六代电影的文化选择
8.
From the "Stage" to the "Platform"--The Different Perspectives of Film Narrative between the Fifth and Sixth Generations;
从“戏台”到“站台”——读取中国第五代、第六代电影叙事差异的视点之一
9.
From the "Post Yellow Land" to the "Post Jia Zhang-ko"--A Probe into the Aesthetics and Industrial Strategy of the Sixth Generation of Films;
从“后《黄土地》”到“后贾樟柯”时代——第六代电影美学与产业发展略论
10.
The Postmodern Cultural Characteristics of the Sixth Generation s Films;
“第六代”电影的后现代主义文化特征
11.
The Individualization Screen Writing--On the Sixth Generation of Chinese Film;
私语化的银幕书写——论中国电影第六代
12.
Duplication and Disruption: Post-modernistic Interpretation of the “Sixth-generation” Movies;
复制与断裂:“第六代”电影的后现代性解读
13.
The Cinematic China:A Comparative Study of Directors from the Fifth and Sixth Generation;
“影像的中国”:第五代、第六代导演比较论
14.
The Historiette of Adolescence in the Post-revolution Age--On Adolescent Subculture and the Adolescent Narrative in the Films by the Sixth-Generation Directors;
后革命时代的青春期小史——论青年亚文化与“第六代”电影的青春叙事
15.
The Sixth Generation Directors Growth Roads, Aesthetic Features and Others;
中国电影第六代导演的成长道路、审美特点及其他
16.
Diversified Thinking of Cuowing up -According to zhangyuan and zhangyangs films study the transformation of the sixth generations directors;
成长的多元思考——就张元、张扬的电影考察“第六代”导演的转变
17.
The festival will be show sixteen modern movies.
电影节会放映十六部现代电影。
18.
Constructing Mirrors of Bottom Existence in the Social Transformation--Interpreting Bottom Movies of the "Sixth Generation" Directors in China;
在社会转型中构造底层的生存之镜——解析当代中国“第六代”导演的底层电影