1.
Discussion on the Influence of Rulers on the Yuan Folk Opera Creations in Yuan Dynasty;
试论元代统治者对元杂剧创作之影响
2.
The Creating and Cultural Meanings of Yuan Tsa-chu s Family Ethics Tragedy;
元杂剧中家庭伦理悲剧创作及其文化意义
3.
The Dream Land in the Difficult Position--the Writing Psychology of the Writers of "Northern" Type Drama Which is Contained in the Dramas Whose Leading Characters are Virtuous Women in the Yuan Dynasty;
困境中的幻境——元代贤妇戏与杂剧作家创作心理研究
4.
On the Complication of the Morals in the Tragedies in Yuan Zaju;
评元杂剧艺术悲剧作品泛道德的复杂化现象
5.
figurines of poetic drama of Song, Jin and Yuan Dynasties
宋-金-元杂剧雕砖
6.
On the Artistic Creation in the Autumn in Palace by Ma Zhiyuan;
论马致远的创作心态与杂剧《汉宫秋》
7.
Research of the Scholar Authors Psychology in Writing Historical Dramas in Yuan Dynasty;
元代历史剧文人作者的创作心态蠡测
8.
On the Subjective Conjecture about the Additions and Deletions in Selected Yuan Dramas;
《元曲选》增删元杂剧之说多臆断——《元曲选》与先期刊抄元杂剧作品比较研究
9.
The Testimony of Regarding Rusheng(入声) with Voiceless Initials as Shangsheng(上声) and Regarding Rusheng(入声) with Nasal, Lateral and Semi-owel Initials as Qusheng(去声) in Spoken Parts in Yuan(元) Dynasty Zaju(杂剧) Block-Printed Edition;
元刊杂剧说白语言即是清入作上、次入作去
10.
The Study on the Writers,Actors,Dramas and National Characters of Hui People in the Miscellaneous Drama of the Yuan Dynasty;
元杂剧中的回回作家、演员、戏曲及其民族性
11.
A Looking into Ideology of Commercial Culture in Love Triangle Zaju Concerning the Merchants of Yuan Dynasty;
从元代涉商“三角恋杂剧”看作家商业文化心态
12.
The Manifestations and Causes of Yuan Multi-opera Writes Personality Ideal in Shuihu Plays;
元杂剧作家人格理想在水浒戏中的表现及成因
13.
Literature as Law in Social Control:A Study of Dramas of Yuan Dynasty;
作为社会控制的文学与法律——从元杂剧切入
14.
On the Phenomenon of the Praise on Officials and the Criticism on Merchants in the Zaju Opera;
试析元杂剧士妓之恋作品中的褒官贬商现象
15.
Simple Analysis on the Confucian Tendency of the writers in Yuan Dynasty;
法正天心顺 伦清世俗淳——浅析元杂剧公案剧作家的儒家思想倾向
16.
Predicament and pursuit--“Evil Women” in Zaju of the Yuan Dynasty reflecting mentality of the dramatists;
困境与追求——论元杂剧恶妇形象对剧作家精神的折射
17.
Stylization and Secularization--Artistic Features of《Xie Tian_xiang》;
程式化与世俗化——《谢天香》杂剧的创作特征
18.
Between Expression and Re-expression--On Subjectivity of Ma Zhiyuan's Zaju
在表现与再现之间——论马致远杂剧的创作主体性