1.
Sketch and Schemata-an Exploration on the Observation Method of Western Paintings;
写生与图式—西方绘画观察方法探幽
2.
a painting depicting an expanse of natural scenery.
描绘广阔的自然景观的绘画作品。
3.
The Enlightenment That the Concept of "Dao" and "Technique" in Zhuang-zi s Thought to the Painting Creation and Education;
庄子“道”“技”观对绘画创作和绘画教育的启示
4.
The Influence of Shanghai's Style of Painting on the Development of Traditional Subjects and Aesthetic Standard
论海派绘画对传统绘画题材与审美观的发展
5.
Ultimate of Painting--Meaning of formal language and concepts in painting
绘画的终极——绘画形式观念与语言的意义
6.
Woman Painter Cao Wen And Her "Head Portrait of Bodhisattva Guanyin
山西女画家曹雯与她的观世音头像绘画
7.
The Double Impact of the Professionalization of the Schola--painters in the Ming and Qing Dynasties Upon the Painting Value;
明清文人画家职业化对绘画比德观的双重影响
8.
Changes of Painting Materials and Changes of Ideas and Techniques of Landscape Painting in the Yuan Dynasty;
论绘画材质之变与元代山水画观念和技术之变
9.
The painter tried to depict the splendour of the sunset.
画家试图描绘日落时的壮观景象。
10.
Qi Baishi's style of painting often leaves the audience guessing,
齐白石的绘画作品常让观赏者猜想，
11.
His collection of paintings is most impressive.
他的绘画收藏令人叹为观止.
12.
Ancient Chinese Paintings on the Map of Landscape Architecture;
中国古代绘画中的建筑景观图谱研究
13.
The Concept Origin and New Style of Chinese Painting in the Reigns of Emperors Kangxi、Yongzheng and Qinglong;
康雍乾时期的绘画新体及其观念根源
14.
Developing Easel Painting in Chinese Contemporary Urban Culture;
我国当代城市文化景观中的架上绘画
15.
Comparing Idea on Chinese and western Paintings from Chen Shizeng to Fu Baoshi;
从陈师曾到傅抱石的中西绘画比较观
16.
On Tibetan Tangka Painting as a Kind of Conceptual Art;
论作为观念艺术的唐卡绘画创作特性
17.
Su Shi s Concept of "Form and Spirit" in Painting and the Relationship with Buddhism;
苏轼绘画"形神"观及其与佛教的关系
18.
An introduction to production of non-audio-visual knowledge of Chinese scholars drawings;
浅谈中国文人绘画非直观认识的产生