1.
The Consideration on Culture Shape of Chinese Modern Watermark Print Language;
对中国现代水印版画语言文化形态的思考
2.
Why cannot Chinese Modern Engraving Turn to the Contemporary?--Engraving Aphonia and Language Transfer
中国现代版画何以不能转向当代?——版画之失语与语言转换
3.
Interpreting and Structuring the Black and White Language of Modern Wood Engraving Art;
我国现代木版画黑白语言的解读与建构
4.
Artistic Features and Model Language of Zhuxianzhen s Wood Engraving;
论朱仙镇木版年画的艺术特色及程式化语言
5.
On Reproducing Visual Images of Wang Wei's Pastoral Poems in English
论王维山水田园诗英译版本中的画语言再现
6.
The Transformation of the Modern Print s Art Language under the Contemporary Art Semantic;
论当代艺术语境下中国现代版画艺术语言的转换
7.
Article19 A TV play( including TV cartoons) made by Sino-foreign joint production shall have a version in Mandarin.
第十九条中外联合制作电视剧（电视动画片）制作普通话语言版本。
8.
The Creative Transformation of Language Characteri of Folk Woodcut in Graphic Design;
民间木版画的视觉语言在平面设计中的创造性转化
9.
The Inspiration of the Layout of Brochure Design from the "Space" Form of Song Academy Landscapes;
宋代院体山水画的“空间”语言形式对商业型录版式设计的启示
10.
An Observation on the Source and the Adapted Date of Renzhonghua s Ryukyu Manuscript Based on Its Editions and Language Features;
从版本、语言特点考察《人中画》琉球写本的来源和改写年代
11.
a pilot edition of a new language course
新语言教程的试用版
12.
An Analysis on Reform of the Layout Language in Front Page of Xiaoxiang Morning Herald;
《潇湘晨报》头版版面语言变革及意义
13.
On the Sheet Layout of News Papers;
努力丰富版面语言 不断提高版面艺术
14.
The decorative nature of the block print emphasizes the combination of people' logos and emotion, a new and striking property in aesthetics.
版画的装饰性突出了理性与情绪相调和的语言融合，凸现了新的美学意义。
15.
original engraving, print and lithograph
原版画、印刷画和平版画
16.
Study on the Artistic Language of Stop-motion Animation and Animation Teaching
定格动画艺术语言与动画教学之研究
17.
The Comparison in Painting Languages between Chinese Landscape Painting and Western Landscape Oil Painting;
中国山水画与西方风景油画绘画语言之比较
18.
The Study on Language of Flash Animation Form-Comparison of FLASH Animation and Traditional Animation
Flash动画语言研究-Flash动画与传统动画之比较