1.
Image·Picture--humane imagery consideration in painting teaching ofcontemporary synthetical materials;
意象·图像——当代综合材料绘画教学中的人文思考
2.
The mutual use and synthetic utilization of water-property material drawing
水性材料绘画的相互借鉴与综合运用
3.
Comprehensive Material and Abstract Language -On the Forms of Expression in Comprehensive Painting;
综合材料与抽象语言——试论综合绘画的图式表现
4.
Tempera Painting and Modern Painting Materials;
丹配拉绘画与现代绘画材料研究综述
5.
On Application of Materials to Contemporary Chinese Painting and Skills Involved;
当代中国绘画综合材料的应用与表现技法
6.
Material and Spirit--Form Language of Comprehensive Painting;
材质与精神——试论综合绘画媒材的形式语言
7.
Comparison between Primitive Rock Art Materials and Modern Rock Painting Materials
原始涂绘岩画材料与现代岩彩画材料之比较
8.
Transmission and Versatility of Traditional Painting Materials in a Modern Painting;
西方传统绘画材料在现代绘画中的传承与变通
9.
Research on the Usage of Synthetic Materials in Contemporary China Oil Painting;
浅谈“综合材料”在当代中国油画作品中的运用
10.
Chinese Contemporary Color Painting Materials Reflections on the use of
中国当代重彩画运用综合材料引发的思考
11.
"You know, paintings are also classified by forms besides by medium."
你知道，除了材料，绘画也由形式划分。
12.
The Features of the Techniques for Different Painting Materials and Their Artistic Expressions;
绘画材料技法的特性及其艺术表现力
13.
The Necessity of Tempera;
开设坦培拉绘画技法材料课的必要性
14.
On the Painting Materials in the Use and Development in Contemporary Oil Painting;
论绘画材料在当代油画创作中的运用和拓展
15.
Re-survey the Influence of Comprehensive Materials and Techniques upon China Modern Heavy Colored Drawings
重新审视综合材料和技法对中国现代重彩画的影响
16.
The skin of a sheep or goat prepared as a material on which to write or paint.
羊皮纸用作书写或绘画材料的绵羊或山羊的皮
17.
On Toner as a Medium of Representation of Art in Modern Sketch Drawing;
谈色粉材料在现代素描绘画中的艺术表现
18.
Re-evaluation of the Colors in the Traditional Chinese Color-Painting from the Perspective of Material Science;
从材料学角度重审中国传统重彩绘画色彩