1.
History of Western Music Aesthetics and Problem Consciousness of Chinese--Thoughts on "History of Western Music Aesthetics" Teaching;
西方音乐美学史与中国问题意识——“西方音乐美学史”教学随想
2.
The Origine of West Music Aesthestic with Its Forms(Ⅱ)
西方音乐美学的诞生及其范式(下)
3.
The Origine of West Music Aesthestic with Its Forms
西方音乐美学的诞生及其范式(上)
4.
Discussion on the early romanticism of music aesthetic thought in the west;
论西方早期浪漫主义的音乐美学思想
5.
Aesthetic Research on the Indeterminacy of Western Avant-garde Music;
西方先锋派音乐不确定性特征的美学研究
6.
A Discussion of Sublimity in the Western Aesthetics History and its Manifestation in Music;
浅论西方美学史中的崇高及其在音乐中的表现
7.
Aesthetic Values of Christian Culture on Western Music;
基督教文化对于西方音乐的美学价值刍议
8.
An analysis of work pieces in Eastern and Western music and a philosophical reflection on anesthetic culture;
东西方音乐个案分析与审美文化的哲学反思
9.
A Rational Survey of the Western Contemporary Music--From the aesthetic change and philosophical base of the Western Contemporary Music;
理性审视西方现代音乐——从西方现代音乐的哲学基础和审美变化说起
10.
" He (Harmony)" and "De (Virtue)" in Music--on ideas of music esthetics of China and the West in ancient times;
音乐中的"和"与"德"——论中西古代的音乐美学思想
11.
Discussed History of the Western Music in the Teaching Should Study the Specialized Foreign Language in Music Glossary;
谈《西方音乐史》教学中外文音乐词汇的学习
12.
A Studies of the Way Music Workes Exists in Respective of Aesthetics;
从音乐美学的角度谈音乐作品的存在方式
13.
The Music Theory Education of Our Country in Western Musicology Frame;
西方音乐学构架对我国音乐理论教育的影响
14.
On Our Country s Music Theories Education from the Western Musicology Frame;
从西方音乐学构架中谈我国音乐理论教育
15.
On the Advantages and Disadvantages of Two Teaching Modes in Western Music History
论《西方音乐史》两种教学方式的利弊
16.
Western Music as "Cultural Site" -- Some Ideas on the Teaching of Western Music History;
作为“文化现场”的西方音乐——对西方音乐史教学的一点思考
17.
The Comparison and Research of the Basic Ideas of the Chinese and Western Musical Aesthetics in Music Culture Spirits
音乐文化精神观照下的中西音乐美学基本思想的比较研究
18.
Puzzle of Musicologist and Thoughts of Music Historiography in the Eastern and Western;
音乐学家的困惑——兼及对中西方音乐史学观的思考