1.
Metrical Tendency of Sijie s parallel fues and the difference between them and those of the Six Dynasties;
“四杰”骈赋的律化倾向及与六朝骈赋的差异
2.
Poetry and Fu in the Wei,Jin,Northern and Southern Dynasties:Parallelism Art and Its Significance;
魏晋南北朝诗赋的骈偶化进程及其理论意义
3.
The Influences of Chu Tang Si Jie s Fu and PianWen on Their Poetry Innovation;
初唐四杰的辞赋、骈文对诗歌革新的影响
4.
The Struggle of PianSan in Mid-tang Dynasty and Han Yu's "Controversy of Prose and Pianwen"
论中唐骈散相争与韩愈的“破骈为散”
5.
On the Meaning of Parallel Prose,Its Extent and the Combination of Parallel and Prose Writing;
骈文的含义、涵盖的范围以及骈散合一问题——《骈文史序说》节译
6.
A Study on the Feature and Significance of Chen Wei-song s Parallel Prose;
论陈维崧骈文特征及对清代骈文复兴的意义
7.
Theories on Pianwen Bridging Pian and Prose between Jiaqing and Guangxu of the Qing Dynasty;
清嘉庆至光绪时期沟通骈散的骈文理论
8.
An Analysis of the Parallel Style: Another Point of View from Philosophy on the Style of Parallel Prose;
论骈文的文体意识——骈文文体结构哲学札记之二
9.
Tentative remarks about the anti-alienation idea in the book of Zhuang Zi;
《骈拇》“骈”“枝”“殉”辨微——试谈庄子的反异化思想
10.
Folk Cultural Foundation of Pian Style in the Early Pian-Ou Literature;
从早期文献的骈偶现象看骈文文体产生的民间文化基础——骈文生成于民间说初论
11.
The Orientation in Emotion and the Difficulty in Comprehension for the Parallel Prose in the Qing Dynasty --The Survey of the Group of Changzhou Writers;
清代骈文的情感向度与认识难度——以常州骈文作家群为中心的考察
12.
A Comment on the Narrative Mode of the Parallel Prose--Taking as a Study Case the Tablet Biographies Collected in Literary Selections;
从《文选》所选碑传文看骈文的叙事方式
13.
Close association like reciprocally twined:A mode of phrase combination and continuation in the parallel prose;
宛转相承:骈文文句的一种接续方式
14.
Chinese Language and Aesthetic Characteristics of Parallel Prose;
从汉语语言特点看骈体文的审美特征
15.
Vulgarism and Parallel Prose--Liu Shipei s Literary Viewpoints of Evolution;
俗语与骈文——刘师培的进化文学观
16.
On antitheses--an important way of hypotaxis;
浅谈骈偶是汉语的一种重要形合手段
17.
Coincidence of the Special Aesthetic Characteristics in Rhythmical Parallel Prose and the Theory in Zhouyi;
骈文审美特质与《周易》思想的契合
18.
Three sixteenths′ style--a braneh of pian style concluded and maintained by Song Qi;
“三十六体”:宋祁总结、认定的骈文体派