1.
On Countermeasures of Creating Exquisite Articles of Folk Songs under the Perspective of Industrialization (Ⅲ)--Taking Guangxi as an Example;
产业化视阈下的民歌精品化创作对策论(下)——以广西为例
2.
Countermeasures of Creating Exquisite Articles of Folk Songs in the Context of Industrialization (I)--Taking Guangxi as an Example;
产业化视阈下的民歌精品化创作对策论(上)——以广西为例
3.
Tan Ge: Watcher of National Spirit --On Tan Ge s Novels;
谈歌:民族精神的守望者——谈歌小说论
4.
Local Elite s Concept of Folk Custom in the Late Qing Dynasty and the Early Republic of China: Clues in "Folk Songs";
清末民初江南地方精英的民俗观——以“歌谣”为线索
5.
On the Relations between Chinese Traditional Folk Songs and People's Spiritual Life
探析中国传统民歌与人民精神生活的关系
6.
The Application of the Folk Music in Tchaikovsky s Instrumental Works;
论柴科夫斯基器乐作品中民歌的运用
7.
The National Characteristics and Art Character of the Miao Feige(flying song)
贵州“苗族飞歌”的民族个性与艺术品格
8.
On Chorus Works Created and Adapted from Hunan Folk Songs and Tones;
湖南民歌及民歌音调创编的合唱作品分析与研究
9.
The Reputation of Excellent Works of 20th Century Chamber Opera--The Analysis of Britten s Chamber Comic Opera "Albert Herring";
20世纪室内歌剧之精品——析布里顿的喜歌剧《阿尔贝·埃林》
10.
The Singing,Which Inhabits the Mother Earth--On the aesthetic characteristic and grass-root spirit of folk songs;
栖居于大地上的歌吟——试论民间歌曲的审美性特征与草根性精神
11.
The gala highlights a variety of songs, comedy skits and cross talks.
节日晚会上丰富的歌唱、品和相声表演精彩纷呈。
12.
Life,Spoken Language and Making Fun of:The Area Ization Spiritual Q ualities of LIU Sha-he′s Poem;
生活、口语与调笑:流沙河诗歌的区域化精神品质
13.
Heroic Spirit and Tragedy Consciousness: Discussion of the Spiritual Characters in Chang Yao's Poems
英雄主义与悲剧意识——昌耀诗歌的精神品质探索
14.
The Spirit of National Culture in Yvmazov s Poems and Novels;
论依玛佐夫诗歌、小说中的民族文化精神
15.
Women s Image & Spirit of the Taiping Kingdom in Folk Songs;
民歌中的太平天国妇女形象和精神风貌
16.
Blending of vanguard spirit and citizen consciousness --Study of Bolok s poems;
先锋精神与公民意识的交融——勃洛克诗歌研究
17.
The Analysis of National Ethos Inheritance on 'China Red Song Show'
《中国红歌会》电视选秀的民族精神传承研析
18.
These features do not appear in a manner employing or patching up original folk songs directly but are thoughtfully embodied in his creations and recreations using pentatonic scales or major-minor scales or "common tones".
其二，不采用具体民歌或民间音乐加以改头换面，而是运用民歌或民间音乐的综合音调结构作品。