1.
Experiencing Beauty Appreciating Tanizakijyunichirou′s Syunkinsyou;
美的体验——读谷崎润一郎的《春琴抄》
2.
The idea of "feminine worship" by Tanizakizyunichirou and Syunkinsyou;
谷崎润一郎的“女性崇拜”思想与《春琴抄》
3.
Discussion of Tanizaki Jun ichirou s Works on His Pursuit to Aestheticism and Characteristics;
论谷崎润一郎作品的“臻美”追求及其特质
4.
The Translation and Acceptation of Tanizaki′s Works in Modern Chinese Literary World;
中国现代文坛对谷崎润一郎的翻译与接受
5.
Recipient of the Beauty of the Other Country--On the Relationship between Tian Han and Tanizaki;
异域之美的接受者——论田汉与谷崎润一郎的关系
6.
A Comparison of the Novel Writing Style between Tanizakijuyichiro and Yu Dafu;
郁达夫和谷崎润一郎小说创作风格比较
7.
Heterodox Love in the Fictional World of Junichiro Tanizaki
异端者的异端情爱谷崎润一郎小说畸恋分析
8.
The Relationship Between Tanizaki Jun'ichirou's Works and the Tale of Genji
试论谷崎润一郎作品与《源氏物语》间的关联
9.
On the Fusion of Perceptual and Abstract Beauty in Tanizakin Jun'ichirou's Works
论谷崎润一郎作品中感性与抽象之美的融合
10.
On the Influence of Life Experiences to Tanizakin Junichirou s Works;
“艺术先于生活”的唯美主义者——论生活经历对谷崎润一郎创作的影响
11.
Taste of China,Tour in China and Orientalism--Comments on Tanizaki and Orientalism;
“中国情趣”、中国旅行与东方主义——《谷崎润一郎与东方主义》述评
12.
The interior of the country is incredibly rugged and almost one third of it is covered in trees. Despite its northern latitude, the Norwegian climate is essentially maritime and damp,
挪威的内陆地形崎岖,近三分之一被树木覆盖。尽管纬度很高,挪威的海洋气候却是十分湿润,
13.
Deformity and Eternity--A Brief Analysis of Aesthetics in Tanizakijunichirou's Early Works
残缺与永恒——浅析谷崎前期作品美学意识
14.
The men in the wedding party are the groom and his father, the best man, and the ushers.
新郎一方由新郎、新郎的父亲、伴郎和迎宾人员组成。
15.
Loved ya missed ya not( just) one day, same as scissors flower-laced.
恋郎思郎非一朝，好似并州花剪刀。
16.
The valley proved very wild and rough, and their walk became rather a scramble.
山谷此时变得十分荒凉、崎岖，行走也渐渐成了攀登。
17.
Interpretation and Research of Tanizaki in China from 1980s to This Day;
谷崎文学在中国的译介与研究——以二十世纪八九十年代为中心
18.
God Is Dead, But Language Is Alive: On "Minimal" by Shuntaro Tanikawa
上帝死了,语言活着——谷川俊太郎诗集《minimal》论