1.
History of Chinese Classical Dramatic Theory
中国古典戏曲理论史
2.
The Research on the Development of Play-within-a-play in Chinese Classical Dramas;
中国古典戏曲中“戏中戏”的发展研究
3.
Preference of Histrionics over Literature in the Aesthetics of Chinese Traditional Theatre;
论“重演轻戏”的中国古典戏曲审美主张
4.
Influence and Infiltration of Chinese Classical Operas on Classical Novels;
论中国古典戏曲艺术对古典小说的渗透与影响
5.
The Criteria of Tragedy in Chinese Classical Dramas;
关于中国古典戏曲中悲剧标准的探讨
6.
The "originally simplicity approach"in theories about Chinese classical opera;
中国古典戏曲理论中的“当行本色”论
7.
A Special View to the "Perfect Ending" in Chinese Classic Drama Novels;
中国古典戏曲小说“大团圆现象”管窥
8.
On the Function of Chinese Opera-house in Chinese Traditional Opera;
论戏楼在中国古典戏曲艺术发展中的作用
9.
The catalyzing of western drama to the"modernization/of Chinese classical drama advancement;
西方戏剧对中国古典戏曲“现代化”进程的催化
10.
On Wang Guowei s Contradietion of Aesthetic Values of Chinese Opera--also on the poetic character of Chinese classical opera;
论王国维对中国古典戏曲审美价值观之矛盾——兼论中国古典戏曲的诗性特征
11.
The Comparison between Xiaxie Novels and Dramas about Prositute in Classical Literature of China;
中国古典戏曲中“青楼剧”与晚清狭邪小说之比较
12.
The Lyrical Characteristics on Ancient Chinese Drama-Measured by Traditional Play Theory and Western Play Theory;
传统曲论与诗学参照下的中国古典戏曲的抒情特征
13.
The Dominant Role of Liu Miao-gu in Li Yu s Bimuyu ──Gender Relations in Classical Chinese Drama;
李渔戏曲《比目鱼》中刘藐姑的主导性──对于中国古典戏曲中的两性关系的一些考察
14.
The Esthetic Characteristics of the Heroic Tragedy in Chinese Classical Drama;
中国古典戏曲中英雄悲剧的内在形态和审美特征
15.
The Phenomena of Clichés in Miscellaneous Drama of Yuan Dynasty and The View of Fate in Chinese Classic Drama
元杂剧的“陈词滥套”现象与中国古典戏曲的命运观
16.
The Study of Two-lane Structure in Chinese Long Classical Opera;
中国古典长篇戏曲中的双线结构研究
17.
On the Reasons for the Prolificacy of Ghost-plays in Traditional Chinese Opera From the Perspective of the Function of Drama;
从戏曲功能探究中国古典鬼戏多产的原因
18.
"Sakoontala",Dressing up in the Chinese Drama Clothes--A Comparison and Contrast of the Indian Classic Drama and Chinese Drama from the Chinese Translation of "Sakoontala";
穿上中国戏服的“沙恭达罗”——从译本看印度古典戏剧与中国戏曲之异同