1.
Ge Hong and Ci Fu-Centering on the Tendency of Ci Fu in his Works;
葛洪与辞赋——以其创作中的辞赋化倾向为中心
2.
Comment on Books "Research on Chinese Ci and Fu" and "Completed Han Fu";
《中国辞赋研究》和《全汉赋评注》评析
3.
Ban Gu s and Sima Qian s Views on Cifu (Prose and Verse)and the Evolution of the Theory on Fu in Han Dynasty;
“班马”的辞赋观与汉代赋学思想的演进
4.
Theoretical Intention of Emphasis on Selection of Ci and Fu inCollection of Classical Chinese Proses;
《古文辞类纂》重视辞赋选录的理论指归
5.
On the Phenomenon of Mutual Infiltration between Prose and Ode in the Kangxi Era and Qiaolong Era;
论康、乾时期辞赋创作中的赋、颂互渗现象
6.
Scholar s Fus with Both Affection and Reason --On LIU Chang and LIU Ban s Fus;
情理兼备的学人之赋——论刘敞、刘分攵的辞赋创作
7.
Rise,Prosperity and Development of Ancient Fu and Writing of Modern Fu
古代赋的兴起、繁荣、发展及现代辞赋的创作
8.
Fa Fen Zhu Shu is the most important literature thought of Sims Qian.
司马迁为辞赋家立传并在其传中大量录入辞赋作品。
9.
The Contribution to CiFu Of GE Hong-Centred on Ge Hong s View on CiFu by The Extrinsic Papers of Bao Pu Zi;
葛洪对辞赋的贡献——以《抱朴子外篇》论葛洪的辞赋观
10.
A Study on the CiFu-Verse Written by Su Shi, Su Zhe and the Four Scholars of the Su Group;
苏轼兄弟及“苏门四学士”辞赋研究
11.
SUMMARY ON THE RESEARCH OF THE ANCIENT LITERARY FORM FROM SUSHI,SUZHE AND SU S FOUR SCHOLARS;
苏轼、苏辙和“苏门四学士”辞赋研究综述
12.
On the Yuan Fu s Creations Practices of "Absorbing the Essence from the Sao and Fu of Han Dynasty";
论元代辞赋“祖骚宗汉”的创作实践
13.
The Influence of Taoist Thinking upon the Momentum of Sima Xiangru s Poems;
道家思想对司马相如辞赋气势的影响
14.
Different Enmotions in different eras in Creating the Cifu Works in Yuan Dynasty;
论元代辞赋创作各个时期的不同情致
15.
Tentative Interpretation of Paiyou in the Western Han Dynasty;
西汉辞赋家的“俳优”意识及其消解方式
16.
On the Development of Literary Tradition of Feng Ya in Wang Yu-chen s Fu;
论王禹偁辞赋对风雅传统的发扬光大
17.
About the consciousness of Ci and Fu creation and essay idea of Han dynasty;
试论汉代辞赋创作和“文章”观念的自觉
18.
On the Theme of Individual Life Consciousness in Cao Zhi s Poetry;
试论曹植辞赋中的个体生命意识主题