1.
On the "west" in The Romance of West Chamber
“君自西洛来,妾住在西厢”——论《西厢记》之“西”
2.
The Artistic Evolution from Dong Xixiang to Nan Xixiang;
从《董西厢》到《南西厢》之艺术流变
3.
A Brief Discussion on Application Techniques of Repeated-words in ‘Dong Xi Xiang’ and ‘Wang Xi Xiang’;
简论《董西厢》和《王西厢》的迭词运用艺术
4.
‘XI XIANG’and‘DONG QIAN’;
“西厢”与“东墙”——关于《西厢记》演出舞台布景的思考
5.
The Shao Shan Tang edition of Xi Xiang Ji now collected in Japan is the earliest edition after hongzhi edition.
现藏日本的少山堂本《西厢记》是弘治本后最早的《西厢》刊本。
6.
From Wang s Xi Xiang to Jin s Comments of Xi Xiang--Analysing the Standard of Appropriating Character s Language of Jin Shengtan s Drama Theory;
从《王西厢》到《金批西厢》——分析金圣叹戏曲理论之“立言之体”
7.
Heritance and Development of the Romance of West Chamber to the Biography of Miss Yingying and the Romance of West Chamber Performed by ZhuGong Tune
论王实甫《西厢记》对《莺莺传》和《西厢记诸宫调》的继承和发展
8.
Interpretation to Feminine Awareness of The Romance of West Chamber and Peony Pavilion
《西厢记》《牡丹亭》“女性意识”之解读
9.
The Transient Tragedy of Sex Exaggeration --Read Xi Xiang Ji Again
性张扬的昙花悲剧——重读《西厢记》
10.
The Similarities and Differences of the Love Topics between “A Dream of Red Mansions” and “The Romance of West Chamber”
《西厢记》与《红楼梦》爱情主题的异同
11.
The Study of Criticism Category to the West Chamber from Jin Shengtan;
金圣叹批《西厢记》的戏曲批评范畴研究
12.
A Preliminary Study on Musics in the Kunqu Opera the Western Chamber in Ming and Qing Dynasties;
明清昆曲《西厢记》音乐的初步研究
13.
Natural Whether in Strong or Light Make-up--Ascertain on Splendid Language of the Legend of Wing-room;
淡妆浓抹总相宜——西厢记语言美探析
14.
A Research of JIN Sheng-tan’s Criticism System in The West Chamber;
金批《西厢记》的内在评点机制研究
15.
On the Image of "Zhangsheng" in Xixiangji and Its Change;
《西厢记》中的“张生”形象及其演变
16.
The Application of Puchen and Sheguan in Writing the West Chamber;
《西厢记》“铺衬”“设关”造戏手法的运用
17.
Discussing the Artistic Configuration of the Edition of The Story in West Room Criticized by JinShengtan;
论金圣叹批评本《西厢记》的艺术体制
18.
On the Beauty of Yingying--Restudy on the Image of Cui yingying in The Romance of West Chamber;
论莺莺之美——《西厢记》崔莺莺形象再解读