1.
On differentiation of Dramatic Ideal in Yuan Dynasty;
元代戏剧观念的创造性分化及其意义
2.
Common People Tendency in the Aesthetics of Yuan-Dynasty Dramas--Viewing from the Common-People Consciousness;
从元杂剧的平民意识看元代戏剧美学的平民主义倾向
3.
Cultural and Mental Mechanism Analyze with the Grand Union Final Outcome in Drama of Yuan Dynasty;
浅析元代戏剧大团圆结局的文化心理机制
4.
On the Idealistic Turns and Theoretic Innovation of the Drama Criticism of the Yuan Dynasty;
论元代戏剧批评的观念转捩与理论创获
5.
Study on the Written-time and the Drama Concept of Number One Scholar Zhang Xie;
《张协状元》的产生年代及其戏剧观念
6.
On the Progress in the Achievement of Ming-dynasty Plays through Comparison between Yuan-dynasty and Ming-dynasty Block -printed Edition Yuan Poetic Dramas;
从元杂剧元明刊本之比较论明代戏曲的进步
7.
Comments on Lord Bao Zeng in Yuan Drama;
铁面执法还是以谋代法——试论元杂剧中的包公戏
8.
The Model of Dualism Opposite and the Pursuit for Modernity of China Drama in the Past Century;
二元对立话语模式与百年中国戏剧的现代性
9.
The Effect of the Opera in the Song Dynasty upon the Yuanqu Opera--On the Formation of the Chinese Opera;
宋代戏、曲对元杂剧形成的影响——兼论中国戏曲的形成
10.
The Confucian Culture from the Yuan Dramas in the Yuan Dynasty--Examples from Plays about Widow by Guan Han-qing;
从元杂剧看元代儒家文化的传播——以关汉卿单本寡妇戏为例
11.
FAMILY:TRAGEDY FOR FEMALES --Tragicism in Modern Feminist Drama;
家:女性的悲剧——现代女性戏剧之悲剧论
12.
"The Chinese opera which appeared first as the zaju in the Song Dynasty, developed into the yuanqu of the Yuan Dynasty(1271-1368),"
是中国的国戏，它先是作为杂剧出现在宋代，后发展成元代(公元1271-1368年)的元曲
13.
Li Tiaoyuan, people of Wenxing Town of Luojiang, is a famous litterateur,a drama theoretician, and a poet of Qing Dynasty.
李调元，罗江文星镇人，清代著名文学家、戏剧理论家、诗人。
14.
The Dream Land in the Difficult Position--the Writing Psychology of the Writers of "Northern" Type Drama Which is Contained in the Dramas Whose Leading Characters are Virtuous Women in the Yuan Dynasty;
困境中的幻境——元代贤妇戏与杂剧作家创作心理研究
15.
On the Historical Significance of WANG Guo-wei s Statement that there were Tragedies in Yuan Dynasty drama;
王国维关于元代戏曲“有悲剧在其中”说的历史意义
16.
Multi-orentional Paradigm· Narrative Representative Core· Suspense ──On the Formation of the Chinese Classical Drama from the Tayaoniang;
多元聚合·代言体叙事本位·悬置──论中国古典戏剧形成于“踏摇娘”
17.
The Breakup of Ancient Greek Drama and the Reorganization of the Drama Elements in the Renaissance Period;
古希腊戏剧的解体和文艺复兴戏剧元素的重组
18.
Dramatized Prose--An Analysis of Dramatic Elements in Mr.YU Qiuyu s Prose;
戏剧化的散文——论余秋雨散文的戏剧化元素