说明:双击或选中下面任意单词,将显示该词的音标、读音、翻译等;选中中文或多个词,将显示翻译。
您的位置:首页 -> 句库 -> 女性写作立场
1.
Distinctive Perception:the Writing Standpoint of the Feminine Intellectual Xu Kun;
另类体验:徐坤的知识女性写作立场
2.
Analysis of pride and prejudice and its female writing style stand;
试析《傲慢与偏见》和女性写作立场
3.
Alice Walker s Black Female Writing Standpoint in “The Colour Purple”;
从《紫色》看艾丽丝·沃克的黑人女性写作立场
4.
The significance of women s consciousness awakening in Tie Ning s novels;
花木兰似的写作立场——铁凝小说女性意识觉醒的意义
5.
Gender Position of Yishu s Romantic Novels;
“言情小说”的性别立场——论亦舒的女性书写策略
6.
Writing as a Peasant--Comments on the View of Zhao Shuli s Writing;
作为农民写作——试论赵树理的写作立场
7.
Following the woman writers of Literature Research School, the woman writers of Beijing School is regarded as a female group of remarkable achievements, which existed simultaneously with the woman writers of the League of Leftist Writers.
京派女作家是继文研会女作家之后,与“左联”女作家并立、成就显著的女性书写群体。
8.
The Confrontation of the Political Words and Feminine Words--A Discussion the female standpoint of Ding Ling;
政治话语和女性话语的交锋——论丁玲的女性创作立场
9.
Say No to Dualistic Antagonism: Another Possibility of Writing--On the Firmness and Tolerance in Lu Xun and Han Shaogong s;
拒绝对立项选择:文学写作的另一种可能性——兼谈鲁迅、韩少功写作立场的坚守与包容
10.
Feminine Consiousness and Feminine Writting in the 1970s;
“70年代”的女性意识与女性写作
11.
On the Feminine Body Writing of the Left-wing Female Writers in the 1930s;
论1930年代左翼女作家的女性身体书写
12.
The Articles and Opinions Of Feminism and the Women s Writing in the 1990s Of China;
女权主义文论与90年代中国女性写作
13.
Be Always Keeping Fundamental Characteristic--Linbai s Female Position in Her Novels;
不离其宗,坚守创作的底色——浅谈林白小说创作的女性立场
14.
The Conscious Composition as the Feminine;
作为女性的自觉写作——论陈染小说创作
15.
The Author s Writing Stand of Moliere s Comedies Discovered from Le Tartuffe;
从《伪君子》解读莫里哀的写作立场
16.
Tries to Discuss the Characteristic of Zhu Shu-zhen s "the Personalization" Writing;
试论朱淑真诗歌的“个人化”写作立场
17.
The Writing about "Home Complex" in the Field of Taiwanese Women s Iiterature;
台湾女性文学场域中的“家园情结”书写
18.
Absence and Presence--On Women Writing from Non-traditional Stories;
缺席与在场——从“另类小说”看“女性书写”