1.
Absorption of Western Opera s Dominant Factors by Music Creation for Chinese Opera;
中国歌剧音乐创作对西洋歌剧优势因素的吸收
2.
Characteristics of Music Creation during Golden Ages of Chinese Operas from Five Operas;
从五部歌剧看中国歌剧丰收期音乐创作特点
3.
Study on the Image Creation of the Opera of Zijun in Shangshi and Its Implications for the Development of Chinese Operas
论歌剧《伤逝》中“子君”艺术形象的塑造及其对中国歌剧发展的启示
4.
From the Diversity Musical Factors of "Porgy and Bess" to Research the Development of China Opera;
由歌剧《波基与贝丝》的多元性看中国歌剧的发展之路
5.
The Artistic Characteristics of the Opera "Regret for the Past" and Its Positive Effect on the Development of Chinese Opera;
歌剧《伤逝》的艺术特征及其对中国歌剧发展的启示
6.
We've booked three seats at the Chin a Opera.
我们在中国歌剧院预订了三个座位。
7.
Female Imagery s Human Nature Camouflage of Chinese Opera in 1957-1966;
1957-1966年中国歌剧女性形象的人性遮蔽
8.
Establishment of Self-character of Music Creation for Chinese Opera;
论中国歌剧音乐创作自我品质的确立
9.
The Statement of the Nationalization Process of the Chinese Opera Creation in 20th Century;
论20世纪中国歌剧创作的民族化进程
10.
The Many Influences of Chinese XiQu on Chinese Opere in the 20th Century;
20世纪中国歌剧对戏曲诸因素的吸收
11.
Initial Researches on the Comparison between Chinese Drama and Western Opera;
戏中曲与歌中剧——中国戏曲与西方歌剧比较初探
12.
A Brief Account to the Influence of Western Operas on Modern Chinese Operas;
浅论西洋歌剧对中国现代民族歌剧的影响
13.
Comparison of the Aesthetic Expression between Chinese Opera and Western Opera;
中国京剧与西方歌剧审美表现之比较
14.
Comparison of Singing between Beijing Opera and European Opera;
中国京剧唱法与欧洲歌剧唱法之比较
15.
The Song for the Gongmo Kerchief Dance and the Form of the Drama of Chinese Theatre in Their Early Phase;
《巾舞歌辞》与中国早期戏剧的剧本形态
16.
Studies of American Poetry and Drama in China in the Tenth Five-Year (2000-2004);
中国“十五”期间美国诗歌与戏剧研究
17.
Study of "China Factors" in Opera Turandot;
歌剧《图兰朵》中的“中国因素”研究
18.
Constructing the New Opera-Pantomime of China--On Tian Hans Mode of Beijing Opera Reforms;
建设中国的新歌(舞)剧——论京剧改革的田汉模式