1.
The New Achievement on the Collation of the Suan jing Shishu;
《算经十书》校勘的新进展——《算经十书》郭书春、刘钝校点评介
2.
Brief Analysis on the Creation Characteristics of Guo Wenjing s National Chamber Music--Late Spring;
郭文景的民族室内乐《晚春》的创作特点
3.
Pursue the Conception of Nature Looking at Guo Xi Landscape Painting from in the
从《早春图》看郭熙山水画的自然观
4.
Guo Jixun. 1995. Botany. Jilin Education Publishing House, Changchun.
郭继勋(副主编).1995.植物学.吉林教育出版社,长春.
5.
Youth Narrates in Post Modern Times--To Comment on the Novel of Guo Jingming;
后现代时期的青春叙事——兼评郭敬明的小说
6.
Characteristics of “the Youth Writing” in Guo Moruo s Early Poetry Creation;
郭沫若早期诗歌创作中的“青春写作”特征
7.
Studying the Practical Significance of "the Guodian Meek Book"
学习和研究《郭店儒书》的现实意义
8.
Guo Moruo, the Creator of Modern Chinese Calligraphical Civilization;
郭沫若:现代中国书法文化的创造者
9.
The Bamboo Text ZIYI in Guodian and LXLNG of SHANGSHU;
郭店楚简《缁衣》与《尚书·吕刑》
10.
An Analysis of the Credibility of the Late Book of Shang Shu: Based on the Investigation of the Guodian Findings and the mawangdui Silk Boo ks;
从郭店楚简和马王堆帛书论“晚书”的真伪
11.
Paul M.Churchland and Clifford A.Hooker,Images of Science,the University of Chicago Press,1985,pp.245～246.
郭贵春:《后现代科学实在论》,知识出版社,1995,第11页;第2～3页.
12.
Guo Jixun. 1994. Decomposer subsystem of Aneuroleoidium chinense grassland. Jilin University Publishing House, Changchun.
郭继勋.羊草草原分解者亚系统.1994.吉林大学出版社,长春.
13.
Poetry Containing Painting: On Aesthetic Spirit of Academy of Painting in Song Dynasty from Guo Xi s Painting of"Early Spring";
“以诗入画”——从郭熙《早春图》看宋代画院绘画的审美特质
14.
Tao Philosophy in the Spring-Autumn Warring States Period as Seen from Lao-zi Carved on Bamboo Slips Excavated at Guodian s Ancient Chu Graveyard;
从郭店楚墓竹简本《老子》看春秋战国之际道家哲学
15.
Grave research and thinking for exploring real meaning:brief discussion on academic characteristic of checking comment and translation of Jingui Yaolue of Professor GUO Ai-chun
研精覃思 务求本义(二)——郭霭春先生《金匮要略校注语译》学术特点简述
16.
Glover, T and K Mitchell 2002, An Introduction to Biostatistics. McGraw-Hill, New York.
郭宝铮、陈玉敏，2000生物统计学，五南图书出版公司。
17.
Wishes and Paintings, Naivete Is Seen through Reading --Guo Xiangzheng s views on paintig and calligraphy;
心声与心画,开卷见天真——郭祥正的书画论
18.
On the Name of "Chun-qiu shufa" and "Chun-qiu bifa";
从“春秋书法”到“春秋笔法”名称之考察