1.
The Conflict between Soul and Flesh,the Loneliness of Spirit--Research on Tianhan s Play in His Early Days;
灵肉的冲突 精神的孤寂——田汉早期剧作研究
2.
A Never Stopping Roving; The Spiritual Connotation in Tian Han s Early Playwriting;
永不驻足的流浪:田汉早期剧作的精神意蕴
3.
A Study on the Influence of Japanese Literature on Tian Han s Early Plays;
田汉早期戏剧所受日本因素影响的研究
4.
Kuan Han-Ching and the Principal Style of Tian Han s Plays;
《关汉卿》与田汉体剧作的主体风格
5.
Discussing the Inherent Contradiction in Which Tian-Han Had Been Writing Drama before 1949;
论田汉1949年之前话剧创作的内在矛盾
6.
Making "the Silver Dream"--On Tian Han s Early Outlook on Film;
打造“银色的梦”——论田汉早期的电影观
7.
On Character Portraying in TIAN Han’s Play 《GUAN Hanqing》;
田汉剧作《关汉卿》人物塑造论——兼评当代历史剧创作存在的问题
8.
Tian Han s complex of "night"--A tentative discussion on image and contributing factor of Tian Ha n s dramatic creation in the twenties;
田汉的“夜”情结——试析田汉20年代戏剧创作中的“夜”意象及其成因
9.
The Marriage of Tian Han and its influence on his diversion in playwriting;
田汉的婚恋对其戏剧创作“转向”前后的影响
10.
1907-1917:Literator-Scenarists Effect on the Formation of Early Drama;
1907-1917:文人编剧在早期话剧成型过程中的作用
11.
The Modern Drama's Poetic Soul under the Clarion of the Time--The Evolution of Tian Han' View of Art Function and His Modern Dramas
时代号角下的话剧诗魂——论田汉艺术功能观的嬗变及其话剧创作
12.
Images of Identity in Harold Pinter s Early Plays;
哈罗德·品特早期剧作中身份的意象
13.
Dominance and Anti-Dominance in Harold Pinter s Early Plays;
品特早期剧作中的控制与反控制主题
14.
Narrow Cage and Breakout;
“狭之笼”与突围——曹禺早期剧作的主线
15.
National Spirit in Tian Han s Dramatic Works in Guilin during the War of Resistance against Japanese Aggression;
“甘与吾民共死生”——田汉旅桂时期戏剧活动中的民族精神
16.
The routine of a native church--The Chinese Union in June 1851;
早期华人教会的运作——1851年6月之汉会
17.
On the language scheme in Peter Handke s early works;
论彼得·汉特克早期作品中的语言主题
18.
THE IMMEDIATE EFFECT OF VERB INFORMATION IN CHINESE SENTENCE COMPREIIENSION;
动词信息在汉语句子加工早期的作用