1.
The prosody of Beowulf is based on alliteration, not end rhymes.
《贝奥武甫》的诗体采用头韵而不用尾韵。
2.
An Analysis on Rhyme,Alliteration and Homophone in Phonetic Rhetoric between Chinese and English;
浅析尾韵、头韵、谐音在英汉语音修辞方面的作用
3.
Classical Chinese poetries, which strive to have harmonious tonal patterns, cadences/ intonations and neat antithesis, has endrhyme, double-tone, vowel-rhyme etc.
中国的诗词力求平仄协调、扬顿挫、仗工整，有尾韵、声、韵等。
4.
Flavours of lemon zest and pear balanced by refreshing, crisp acid and a long, lifted finish.
尾韵绵长，柠檬与水梨的风味清新，酸度平衡。
5.
In prosody, Chaucer mostly used the ten-syllable line in rhymed couplets (later developed into the most fashionable "heroic couplet " of the 18th century).
从体裁上说，乔叟多用每行十音节、双行一尾韵的诗体（后来演化为18世纪风行的英雄双韵体）。
6.
Studies on the Evolution of Nasal Rhythm End and Consonant Rhythm End of Modern Age Chinese;
近代汉语阳声韵尾和入声韵尾的演变研究
7.
A Study of -n and -η Rhymes in Wu Dialect during the Song and Yuan Dynasties;
从宋元时期用韵材料看吴语中的-n、-η韵尾相押
8.
On the Feature of Tone Quality of Plosive Endings of Rhymes duo(铎) and yao(药) in the Qiyin Lue(七音略);
论《七音略》铎药两韵塞音韵尾的音质特征
9.
The Pronunciation Types of the Endings of the Middle Chinese Yangsheng Rhyme in Modern Chinese Dialects
中古阳声韵韵尾在现代汉语方言中的读音类型
10.
Baotou Nasal Variation: A Re-investigation after 15 Years;
包头鼻韵尾变异：15年后的再调查
11.
The Surce of -n,-η in Sichuan, Hejiang Dialect;
四川合江话韵母-n、-η尾的来源
12.
A Comparative Study of the Chinese and Japanese Pronunciations of Chinese Characters Ending with the Sound "i;
汉语中i韵尾字的汉、日读音对比研究
13.
Palatal Codas of Chinese Loan Words in Vietnamese and of Middle Chinese
汉越语与中古汉语的舌面音韵尾比较
14.
Alliteration occurs when the initial sounds of a word, beginning either with a consonant or a vowel, are repeated in close succession.
小窗，我不知你说的起韵是不是指头韵，如果是的话，应该和尾音无关。。
15.
On Some Special Nasalizations or Velar Nasals of Xuzhou Dialect;
试析徐州方言中特殊的鼻化韵字和后鼻音韵尾字
16.
He used rhyming words, words with the same ending sound, like fish and wish.
他使用押韵的词，即尾音相同的词，例如fish和wish。
17.
Once publish ,his work became famous for the absence of rhyme at the end of each line .
他的诗作发表后，以行尾不押韵而大获其名。
18.
Once published, his work became famous for the absence of rhyme at the end of each line.
付印后，他的诗作因为行尾不压韵而大获其名。