1.
Yan Musical System in Sui and Tang Period and the Emergence of the Ci form Short Lyric;
“隋唐燕乐”的不同系统与词的起源
2.
In the Sui and Tang dynasties, the "Yanyue"(referring generally to all music and dances entertaining banquets) which marked a peak of the Tang Dynasty music and dance culture was mainly performed by Jiyue professionals.
隋唐燕乐(泛指宴享娱乐的歌舞)标志着唐代乐舞文化的高峰，主要就是由乐舞伎人表演的。
3.
"The Style of ci Originating Among the People" and "ci Originating from the Court-Feast Music in the Sui and Tang Dynasties";
“词体发生于民间”与“词起源于隋唐燕乐”——答岳珍学友商榷文
4.
A Reflection on “the Source of Ci-poetry Coming from the Banquet Music in the Sui and Tang Dynasties”: To Discuss with Mr. Li Changji;
关于“词起源于隋唐燕乐”的再思考——与李昌集先生商榷
5.
The Enlightenment of Sui and Tang Music Boom and its Impact on Chinese National Music Development;
隋、唐燕乐的兴盛对中国民族音乐发展的启示
6.
A Primary Discussion of the influence of the Ya Music And Yan music in the Sui-Tang Period of Our Country to the Japanese and Korean Music Culture;
浅谈我国隋唐时期雅乐及燕乐对日本、朝鲜音乐文化的影响
7.
Inheritance and Development of Chinese Traditional Music from the Development of Palace Conviviality in Sui and Tang Dynasties;
从隋唐时期宫廷燕乐的发展看中国传统音乐的传承与演变
8.
On the Origin of Ci poems from the Angle of the Relationship among Quzi Ci Shengshi and Yanyue in Sui,Tang and the Five Dynasties.;
从隋唐五代燕乐与曲子词、声诗的关系论词的起源
9.
Making an Investigation and Study on Nanzhao Fengshenyue,Biaoguo yue and Yanyue in Sui and Tang Dynasties
南诏奉圣乐、骠国乐与隋、唐燕乐——西南丝绸之路音乐文化考察研究之二
10.
The Research on Xiyu Musicians Coming to the Mainland of China in Sui and Tang Dynasties
隋唐时期来到中原的西域音乐家之研究
11.
Some Issues on"Sitting and Standing Performance"of Yanyue in the Tang Dynasty;
关于唐代燕乐“坐、立部伎”的几个问题
12.
Through《Jie Gu Lu》to Understand the Buddhist Music's Impact on China Music in Wei and Jin to Sui and Tang Dynasties
从《羯鼓录》看魏晋至隋唐时期佛教音乐对中原音乐的影响
13.
A Comparison of"Eight-Note Seated Singing"of the Bouyei Nationality with the"Zuo Bu Ji"of Yan Music of the Tang Dynasty
布依族“八音坐唱”与唐代燕乐“坐部伎”之比较
14.
For instance, the wrestling dance and folk dance of the Qin and Han dynasties, the Nine Parts and Ten Parts dances, the Sitting and Standing Parts dances of the Sui and Tang dynasties,
例如秦汉的甬抵百戏、散乐杂伎，隋唐的九、十部伎，坐、立部伎，
15.
Debates on the 28 Modes of Banquet of the Tang and Song Dynasties and the Nomenclature of Gongche Tunes;
唐宋燕乐二十八调音阶辨异——兼论民间工尺调名之传统乐学涵义
16.
On Cen Zhongmian s Critiques of Chen Yinque s Study in Sui and Tang History;
试析岑仲勉《隋唐史》对陈寅恪隋唐史研究的批评
17.
The northern stone tablet calligraphy originated in the Northern Dynasties (386-581) and the Sui Dynasty (581-618).
碑刻为北派，以赵、燕、魏、齐、周、隋为序，
18.
Luoyang was the eastern capital of the Sui and Tang Dynasties and a lot of emperors' temporary abodes were built around Luoyang city at that time.
洛阳是隋唐王朝的东都 ,隋唐两代在洛阳城周围修建了许多离宫。