1.
Taking the Examples of Loopholes and Faults with Seal Characters and Seal Characters Correspond to Regular Scripts in Ancient Documents;
古文献中篆文及其篆楷对应错漏举例
2.
The official script in calligraphy is a transition between seal character, and regular script.
隶体是书法从篆体到楷体的过渡。
3.
Li calligraphy developed from zhuan characters but it introduced the kai (regular script) characteristics.
隶书承上启下，上承篆书，下启楷书。
4.
It worships the practical calligraphy style like a seal character, official script and regular script and worships the calligraphy methods with practical attitude.
其表现主要在:对篆、隶、楷等实用书体的推重;以实用的态度崇尚笔法、书诀;
5.
A Study on "Siti Leishu" of Shuowen Guwen and Its Corresponding Xiaozhuan
《说文》古文与对应小篆“四体类属”研究
6.
During their long history of development, Chinese characters have evolved into many different script forms,such as the seal character,offical script,regular script and running script.
汉字在其漫长的发展史中演化成许多不同的书写形式,例如篆书,隶书,楷书和行书.
7.
while the transition of the Manchu characters i n the seals from regular scrip style to seal character style manifested the pro found impact of the Chinese culture upon the Manchu culture.
而印中满文由楷书向篆书的转变，则充分说明汉文化予满文化影响之深广。
8.
Seal Engraving? To the Chinese, a seal was for many centuries a symbol of power.
篆刻千百年来，对中国人来说，图章是权利的象征。
9.
"Yun Zhuan Tian Shu": Enlightenment on Modern Visual Design from the Symbolic and Imagic Art of Taoism;
“云篆天书”：道教符图艺术对现代视觉设计的启示
10.
The Influences of Scholastic Seal Calligraphers in Qing Dynasty on Calligraphy;
简论清代学者篆书家及其对书法的影响
11.
An approach to standard of ZHUANLI WANXIANG MINGYI in discretion of fanqie and meaning explanation of original YUPIAN;
《篆隶万象名义》对原本《玉篇》反切释义的取舍标准
12.
A Study on the Influence and Implication of the Art of Seal-cutting on Visual Communication Design
篆刻艺术对视觉传达设计的影响与启示研究
13.
Politicians are supposed to be role models not potty mouths.
政治人物应该要为人楷模而不是满口脏话。
14.
Continual Improvement and Extensive Application(2nd) - A Further Research into the Applications of Manchu Seal Characters in the Qing Dynasty;
不断完善 广泛应用(下)──清代满文篆字应用情况的再调研
15.
The Paragon of Virtue in Multiple Contradictions:The Dialoguism in Pamela;
多重矛盾中的“美德楷模”——《帕梅拉》中的对话性
16.
As a visual modality of art, Xiao Zhuan possesses Symmetrical and balanceable beauty.
作为一种视觉艺术形式，小篆具有一种对称的平衡美。
17.
He was versed in Zhen Script, Xing script, Li script, Seal Character and Seal Cutting, especially expert at Seal Character.
他于真、行、隶、篆、篆刻等无所不工,尤擅于篆书。
18.
The content of calligraphy teaching should be based on the regular script training with writing brush and focus on the training with the hard tipped writing instruments.
书法课的教学内容应在毛笔楷书的基础上侧重硬笔书法。