1.
The Historical and Cultural Origins of the Aesthetic Differences between Chinese and Western Young People;
中西青年审美差异的历史、文化渊源
2.
On the historical accumulation and aesthetic differences of the images of wild goose;
论雁意象的历史积淀性及审美差异性
3.
The Influence of the Divergence in Musical Aesthetic Sense of Period on the Different Harmony Applications;
时代的音乐审美差异对和声运用的影响
4.
On Aesthetic Differences of Death Among the Four Classic Novels of Ming and Qing Dynasties;
论明清四大小说中死亡现象的审美差异
5.
Guo Moruo and Wen Yiduo s Patriotic Poetry s Difference about Appreciation of the Beauty;
郭沫若、闻一多爱国主义诗歌的审美差异
6.
On the Aesthetic Discrepancy between the ancient Chinese prose and Poetry;
论中国古代艺术散文与诗歌的审美差异性
7.
Differences of Aesthetic Appreciation between the Two Art Forms:Mood and Images;
意境与意象两种至境艺术形象的审美差异
8.
The Effect of Aesthetic Differences in Tourism on the Development of Regional Tourism──Take Fuzhou City for Example
旅游审美差异对区域旅游开发的影响——以福州市为例
9.
Acceptance Differences of Aesthetic Subject in Music Appreciation;
音乐审美活动中审美主体的接受差异
10.
Postmodern aesthetics and differential interpretation to aesthetic truth;
后现代美学与审美真理的差异性诠释
11.
Aesthetic Difference Between Chinese and Japanese from the Perspective of Japanese ClassicPoems;
从日本古典诗歌看中日审美情趣差异
12.
Dissussion the Different of the Aesthetic on Chinese and Western Landscape Poetry;
试谈中西山水诗审美观物态度之差异
13.
Aesthetic analysis of "Divided" and "Undivided"--On instinctive aesthetic differences between the poems of Shaoyou and Meicheng;
“隔”与“不隔”的审美分析——兼论少游美成词直觉审美的差异
14.
An Analysis of Difference of Sino-American Culture Orientation and Their Origins Revealed in Family Album U.S.A.;
从《走遍美国》审视中美文化取向差异及渊源
15.
In Tears and Smiles;
笑与泪——悲喜剧审美本质的差异在接受者审美情绪上的反映
16.
Research on the Aesthetic Value Differences for Humanistic Tourist Products between Chinese and the Westerners;
中西方人文旅游产品审美价值差异研究
17.
A Study of the Water-designing Differences between Chinese and Western Classical Gardens from Esthetic Point of View;
从审美角度看中西古典园林理水艺术的差异
18.
On the Otherness of the Musical Aesthetic Subject--From Ji Kang s Perspective of The Music is Irrelevant to Grief or Joy of;
从嵇康《声无哀乐论》看音乐审美主体的差异性