1.
Shostakovitch and His Fifth Symphony in d Minor;
肖斯塔科维奇与《d小调第五交响曲》
2.
Inspiration of Tonality Thinking about 24 Preludes and Fugues Composed by Dmitriy evich Shostakovich
肖斯塔科维奇《24首序曲与赋格》调性思维的启示
3.
The Techniques of Shostakovich s String Quartets;
肖斯塔科维奇弦乐四重奏中的作曲技法
4.
Characteristics of Shostakovich s Cello Concerto No.1;
肖斯塔科维奇《第一大提琴协奏曲》作品的特点
5.
A Simple Analysis on Shostakovich s Symphony No.7--Leningrad;
浅析肖斯塔科维奇《第七交响曲——列宁格勒》
6.
writing Technique of Melody of piano Concerto a No. 1 by Shostakovich;
肖斯塔科维奇《第一钢琴协奏曲》的旋律写法
7.
Integral Structure of Shostakovich s Fourteenth Symphony;
肖斯塔科维奇《第十四交响曲》的整体结构特征
8.
A Research of the Structure on Shostakovich's First Sonata for the Piano
肖斯塔科维奇《第一钢琴奏鸣曲》结构研究
9.
On the Expressive Effects of Harmony Shifting in 24 Preludes & Fugues by D.Shostakovich;
论肖斯塔科维奇《24首序曲与赋格》和声游移的表现特征
10.
The Innovation of Fugue Structural Principle;
赋格结构原则的创新——肖斯塔科维奇d小调赋格分析
11.
The Style and Structure of First Movement in Shostakovich s Symphony NO.13;
论析肖斯塔科维奇《第十三交响曲》(第一乐章)的风格特征和结构特色
12.
An Analysis on the Writing Features of No.9 Fugue in Dmitri Shostakovich s Twenty-four Preludes and Fugues;
论肖斯塔科维奇《二十四首前奏曲与赋格》No．9的赋格写作特色
13.
The Structure of the Third Movement of Shostakovich's Cello Concerto no.1 ne Method
论肖斯塔科维奇《第一大提琴协奏曲》第三乐章的结构及其演奏
14.
Analysis of a Life Story in Music;
用音乐讲述生命的故事——肖斯塔科维奇《第八弦乐四重奏》的创作背景及其主导动机
15.
Leading Motive and Use of Passacaglia of Shostakovitch s Quartets No. 8;
从《第八弦乐四重奏》管窥肖斯塔科维奇主导动机及帕萨卡里亚的创作特点
16.
The Analyis of D·Shostakovich’s Three Parts Fugue in A Minor --Concurrently Dsicuss Some Characteristics of D·S·S “24 Preludes And Fugues”;
肖斯塔科维奇a小调三声部赋格分析——兼论《二十四首前奏曲与赋格》的某些创作特征
17.
Talking about Shostakovich s Music Features from Symphony No.5;
从《第五交响曲》看肖斯塔克维奇的音乐特点
18.
Research Notes Of Shostakovich 24 Prelude And Fugue;
精彩纷呈的密接和应——肖斯塔柯维奇《24首序曲与赋格》研究札记