1.
Phenomenon and Significance--On the Literary Expositive Viewpoint of Qian Zhongshu;
现象与意义——试论钱锺书的文学阐释观
2.
Qian,Zhong-shu s Study of "the Books of Poetry" in the Global Field of Vision;
钱锺书先生全球视野下的《诗经》研究
3.
Intertextuality and QIAN Zhong-shu s Elucidatory Strategies of Meaning;
互文性理论与钱锺书的意义阐释策略
4.
On Qiang Zhongshu s "Synaesthesie" and Its Artistic Features;
钱锺书《通感》与Synaesthesie艺术修辞特色研究
5.
Qian zhongshu Talks about “A Dream of Red Mansions”;
无端说梦向痴人——钱锺书谈《红楼梦》
6.
A comparative study of hermeneutic cycle by Qian Zhongshu and hermeneutics in the west;
钱锺书“诠释循环”与西方诠释学的关系辨析
7.
Intertextuality and Ch ien Chung-shu s Literary Criticism:The Networks and the Chains Made of Texts;
互文性理论与钱锺书文学批评的文本网链
8.
Intertextudlity and Study on Negative-Imitation by Ch ien Chung-shu;
互文性理论与钱锺书对反仿手法的研究
9.
Recollections of Qian Zhongshu in the Field of Translation;
钱锺书先生印象——从钱先生在翻译方面的为人为学而观
10.
The Content Characteristics of Qianshi Journal of Literary Selection --Part 3 of the Study on Qianshi Journal of Literary Selection
钱锺书《文选》研究之内容特点——《文选》钱氏学研究之三
11.
“The Scholar Must Have the Morals”--On Qian Zhong-shu′s the Theory of Literature and Art Critic;
求道为学 都须有“德”——试论钱锺书的文艺批评主体观
12.
Comparative Research of Lessing s "the Limits of Painting and Poetry" by Zhu Guang-qian and Qian Zhong-shu;
试析朱光潜和钱锺书对于莱辛“诗画异质说”的比较
13.
Translation Outside of Heidegger and Qian Zhongshu:An Initial Study of the Inter-lingual Orientation in the Re-conceptualization of Translation;
翻译:在海德格尔与钱锺书之外——翻译概念化的语际指向初探
14.
The Elimination of Human Nature and the Reversion of Animal Nature--On the anti-humanity fable of Qian s literary works;
人性的消解及动物性的还原——论钱锺书文学的反人性神话
15.
The Cause of the Deletion of Poet Zuo Wei in the Annotated Selection of Song Poetry and Something Other:Primary Notes on the Manuscripts of Qian Zhongshu;
《宋诗选注》删落左纬之因及其他——初读《钱锺书手稿集》
16.
The Underlying Aspects of Sinophilism--A Comment on Qian Zhong-shu in the English Literature of the Senventeenth and Eighteenth Centuries
“中国热”的背后——以钱锺书《十七、十八世纪英国文学中的中国》为中心
17.
Discussion of the Essence of Present Existence through Civilian Narration and Realistic Solicitude:on Qian Zhongshu s Anti-fable Tendency in his Fiction;
平民叙事与现世关怀言说当下生存本真——谈钱锺书小说的“反神话”写作
18.
a goddess by the name of San Sheng Mu, longing for the peaceful life of the human world, left heaven and fell in love with Liu Yanchang, a scholar, at first sight.
向往人间美好生活的仙女三圣母，离开天堂，与书生刘彦昌一见锺情，