1.
The Introduction of WWPB Model and Application Research to Pinus Tabulaeformis Damaged by Dendroctonus Valens in Shanxi
WWPB模型引进及其在山西灵空山林场红脂大小蠹危害林分中的应用
2.
Viewing Xu Dishan s Religious Solicitude from his Sacred Rain in the Empty Mountains;
从《空山灵雨》看许地山的宗教关怀
3.
On Differences of Time and Space Views in the Landscape Poetry of Xie Lingyun and Xie Yao;
论谢灵运和谢朓山水诗的时空观差异
4.
The Beauty of Emptiness and Smartness Of WanShu Garden──On the Beauty of the Summer Resort;
万树园之空灵美──避暑山庄审美谈
5.
Buddhist Thought and Its Contradiction of XU Di-shan s Kongshan Lingyu;
许地山《空山灵雨》中的佛教思想及其矛盾
6.
From Material Space to Soul Space--Interpreting the Garden of “Pian Shi Shan Fang” Designed by Shi Tao;
从物象空间到心灵空间——石涛“片石山房”设计释读
7.
Difference Between Xie Lingyun s and Bao Zhao s Poems of Hills and Lakes from a Spatial Perspective;
从空间体验看谢灵运与鲍照山水诗之差异
8.
Xiu Dishan′prosaic Essays and Their Artistic features;
空灵玄奥 飘逸闲适——论许地山散文的艺术特色
9.
Spatial Distribution Characteristics of Winter Temperature in Lingshan County
灵山县冬季气温空间分布特点的初步分析
10.
Spatial-Point-Pattern Analysis of Mongolian Linden in Beijing Wulingshan Nature Reserve
北京雾灵山保护区蒙椴林空间点格局分析
11.
Wife,Love and the Prison of Beauty-An Explanation about Xu Dishan s Prose Collection The Rain in a Vacant Mountain;
妻子、情爱与美的牢狱——关于许地山散文集《空山灵雨》的解读
12.
Soul as "The Holy Rain in the Intangible Mountain" and Body as "Laboring Spider":Xu Dishan in the Eastern and Western Cultural Integration
心是“空山灵雨”,身是“缀网劳蛛”——东西文化交融中的许地山
13.
Xu Rundi(1760-1827), father of Xu Jiyu, was a scholar during the Qing dynasty who advocated a" free and natural method" of thought.
徐润第（760-1827）继畲之父，清代学者，探本陆王，归宿于傅山，提倡“空灵法界”。
14.
The Holy Rain in the Rure Mountain:A Life Fable of Blending Multiple Religious Culture
《空山灵雨》:融合多重宗教文化的人生寓言——兼与《野草》、《画梦录》比较
15.
Investigation to temporal and spatial pattern of phytopopulation in Quercus liaoturgesis Koidz forest communities in Dongling Mountain Region;
东灵山地区辽东栎群落中植物种群的时空格局研究
16.
Pictures in Poetry,Sound in Picture Dynamic for Static,Natural and Graceful --Appreciation and Analysis of Wang Wei s An Autumn Dusk in Mountains;
诗中有画,画中传声;以动显静,空灵优雅——王维《山居秋暝》赏析
17.
The Seclusion and Grief,the Back of Superiority,Free and Nature: on the Art Characteristic of Hanshan s Peoms;
“高远空灵”背后的“幽寂悲凉”——寒山诗歌艺术特色浅论
18.
Size structure and spatial pattern of Quercus liaotungensis population along elevation gradient in Dongling Mountain,Beijing
北京东灵山海拔梯度上辽东栎种群结构和空间分布