1.
Infiltration of the Religious Ideas in the Chinese Primitive Decoration;
中国原始装饰艺术中宗教观念的渗透
2.
The Repeated Beauty of Decorative Art,The Repeated Beauty of Original Pottery Ornamentation
装饰艺术的重复之美——原始陶器纹饰的重复美
3.
The Seek of the Symbolism of Fish-like decoration about the Primitive painted pottery in China;
中国原始彩陶鱼纹装饰象征寓意探讨
4.
"Jewelry evolved from shells, animal teeth, and other objects used as adornment in prehistoric times."
史前时期原始人取动物的牙、壳和其它物体等装饰自己。
5.
Applied Research on the Modeling of Primitive Paintedpottery and Decoration Language in the Modern Ceramic Art;
中国原始彩陶造型、装饰语言在现代陶艺中的应用研究
6.
Study on comparison with ornamental content of Chinese primitive painted pottery and ancient Greek painted pottery
古希腊彩陶与中国原始彩陶装饰内容的对比研究
7.
The primitive artists of Banpo Village began using pictorial designs for decorative purposes and express abstract thoughts.
半坡村的原始艺术家已经开始把具体的物象变形成装饰性的图案，并在其中注入某种观念。
8.
"Mural painting has its. roots in the primeval instincts of people to decorate their surroundings and to use wall surfaces as a form for expressing ideas, emotions, and beliefs."
壁画源于人们装饰环境的原始动机，并以墙面来表现其思想，情感和信仰。
9.
She bought the property immediately and began alterations and additions.
她立即买下，并开始增修和装饰。
10.
The culture connotations of clothing in cliff-paintings;
中国原始岩画中服饰表现的文化内涵
11.
people decorate their houses with paper decorations and leaves and branches.
人们就开始用纸饰、叶子和树枝来装饰自己的房子。
12.
Gold and silver were beginning to be used for ornament and decoration, and must already have acquired a high value as compared with copper and bronze.
金和银已开始用于首饰和装饰，其价值肯定已比铜和青铜高。
13.
The Feature of Architectural Ornament of Original National Zhongshan University
原国立中山大学的建筑装饰特点探析
14.
Enter the length of the ornamentation detail, from the bottom of the staircase.
输入装饰段的长度，从楼梯底部开始计算。
15.
This thesis expounds the meaning of decoration to life, the principle and skill of deco- rative image design.
简洁地论述了装饰对生活的意义,装饰形象设计的原则和技巧。
16.
The machines can use various of fibers for knitting curtains, table clothes and apparel fabrics.
使用不同原料纱线，编织窗帘、布、装等装饰织物。
17.
The struggle for survival was gradually stripped of mask and ornament to reveal a primitive brutality.
生存竞争渐渐脱去文饰和面具，露出原始的狠毒。
18.
Creation of Fire and Clay-Research on the Modelling and Decorativ Patterns of Ancient Painted Pottery;
火与土的孕育—原始彩陶造型与纹饰探析