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1.
On Geisha s Role and Author s Status--Geisha s image written by authors;
歌妓角色与词人身份——词人笔下的歌妓形象
2.
Musicians and Singers, the First Readers Who Embraced the Tang Poetry
乐工歌妓:唐诗接受史上的“第一读者”
3.
Trying to Being Elegant from Vulgar: the "Quality" and "Appearance" Change of literators’ Geisha pomes in the Northern Song Dynasty
俗中求雅:北宋文人歌妓词的“神”“貌”之变
4.
On Liu Yong’s Geisha Ci
高卑兼有,“词”出有因——浅论柳永的歌妓
5.
The Awakening of Self-consciousness of Song Dynasty Lower Level Female in Prostitute Ci Poetry;
歌妓词看宋代下层妇女自我意识的觉醒
6.
Annotations on Zhou Bangyan s Passing by Yangzhou Four Times and a Historical Study of Yue Chuyun,a Local Singing Lady;
周邦彦四过扬州词以及扬州歌妓即岳楚云考证
7.
Liu Yong; the spokesman of geisha -On Liu Yong s geisha poetry and other aspects of his poetry;
柳永:烟花女子的代言人——试论柳永歌妓词及其它
8.
A Preliminary Study of the Oral Communication and Transmission of the Song Ci-poetry: Centered by Singsong Girls’Singing Ci-poetry;
宋词的口头传播方式初探——以歌妓唱词为中心
9.
The Contributions of the Singsong Girls to the Yuan Dynasty s Dramas as Viewed from Collected Works from Brothel;
从《青楼集》探究歌妓对元曲发展所起的作用
10.
Performance of Chang Ci of Singing-girls:A Pattern of Oral Discourse
宋代歌妓唱词的演述:一种口头话语方式
11.
The Connotation of Mansion Imago Poems Written by Poetesses and Geisha in Song Dynasty
宋代一般女性与歌妓楼意象词的丰富内涵
12.
The Same Literary Composition with Different Approaches-Real Sentiments--Analyze LIU Yong and YAN Jidao s singing-prostitute complex by comparing;
异曲同构 真情世界——比较分析柳永与晏几道的歌妓情结
13.
Discussion on the Beauty of Geisha in Song Ci;
一枝春雪冻梅花 满身香雾簇朝霞——试论宋词中的歌妓之美
14.
Comparison of Xu Wei s History of Violent Drum and Chen Zi-zheng s Whipping the Singing Girl:Disguise,Role and Existence;
徐渭《狂鼓史》和沈自徵《鞭歌妓》比较:乔装、角色和存在
15.
On the relationship of the Female singer life and the Scholar writings in the Tang and Song dynasty;
二十四桥明月夜,玉人何处教吹箫——歌妓流离与唐宋文人创作浅论
16.
Yearning for the Passage of Happy Life and Youth" --Living Circumstances and Sentiment in Song Lyrics and Their Relationship with Singing Girls;
“流连光景惜朱颜”——宋词中的人生况味及其与歌妓的关系
17.
His wife, Liang Hongyu by name, was a well-known woman warrior, rated as high as such ancient Chinese heroines as Hua Mulan who disguised herself as a man in order to get enlisted and Mu Guiying the female commander.
夫人梁红玉,虽系歌妓出身,却是女中豪杰,跟古代女英雄花木兰、穆桂英齐名。
18.
"and it will be in that day that Tyre will go out of mind for seventy years, that is, the days of one king: after the end of seventy years it will be for Tyre as in the song of the loose woman."
到那时推罗必被忘记七十年,照着一王的年日。七十年后,推罗的景况,必像妓女所唱的歌。