1.
The Seclusion Spirit in the Name of the Scenic Spot in the Scholars' Gardens
士人园林中景点名称蕴含的隐逸精神
2.
The Seclusion Spirit of the Song Officers Affecting the Song Lyrics in the Song Dynasty;
宋代士人的隐逸精神对宋词审美风貌的影响
3.
The Seclusion Spirits of Utopia:Paradise Peach--Reread Paradise Peach Note and Poetry
隐逸精神乌托邦:桃花源——重读《桃花源记》并诗
4.
The Anchoret Living of Bureaucracy and the Cultural Spirit of the Privacy Life of the Scholar-officials in the Song Dynasty;
“吏隐”与宋代士大夫文人的隐逸文化精神
5.
Disrespectful Plays:An Exploration of Ma Zhiyuan s Seclusive Culture and Spirit;
污渎之中的游戏:马致远隐逸文化精神探析
6.
The Desolation and Spiritual Pursuit behind Flourishing Age--Taoism and landscape Rural poems of Flourishing Tang;
盛世背后的落寞与精神追求——道教与盛唐山水隐逸诗论说
7.
Culture Spirit of the Landscape and Rurral Poem and Frontier Poem of the Prosperous Tang Dynasty:Retirement from Politlcs and Chivalrous of the Confucian;
儒家化的隐逸与任侠:盛唐山水田园诗与边塞诗的文化精神
8.
From Spirit of Poor Poets to Secluded Feeling:on the Feeling Vicissitude of Poets Followed Jia Dao in the Late Tang Dynasty and the Five Dynasties;
从寒士精神到隐逸情怀——晚唐五代学贾岛一派诗人思想境况的变迁
9.
of the appetite for adventure over the love of ease.
进取精神战胜安逸享受。
10.
The Similarities and Differences of Hermit Ideology in Yuan Drama between Immortal Taoism Drama and Reclusive Drama;
论元曲神仙道化剧与隐居乐道剧中隐逸思想的同异
11.
On the Evolution Process of "Carefree Mood" and Its Influence on Chinese Scholars Spirits;
论“逸”范畴的发展流变及对中国士人精神之影响
12.
MIND AND EMOTION OF THE LATE TANG FORM SECLUDED POETS IN THE EARLY SONG DYNASTY;
孤高傲世的绝世风神——宋初晚唐体隐逸诗人的思想情怀
13.
Evolution of “Yi” from Retired Personality to Aesthetic Category;
“逸”从隐逸人格向审美范畴的演进
14.
On Chinese Reclusive Thought and Chinese Reclusive Literature in Pre-Qin Period and the Han Dynasty;
先秦隐逸思想及先秦两汉隐逸文学研究
15.
Comparison of Poems Between Ten Talents in Dali Period and Poets in Seclusion;
大历十才子与方外隐逸诗人之隐逸诗比较
16.
Youth means a temperamental predominance of courage over timidity, of the appeti te for adventure over the love of ease.
青春意味着在气质上勇敢战胜怯懦,进取精神战胜安逸享受。
17.
Liu Shengzhan s Late Painting Style and the Spirit of Freehand Brushwork and Pure Freedom in Traditional Chinese Painting;
兴来得意写狂风——谈刘生展晚近画风兼论中国画的写逸与写意精神
18.
The Publicity and Commendation of the Spirit of "Graceful Grade" --On a Historic Turn of Chinese Drawing in Aesthetic Pursuit;
“逸品”精神的张扬——论中国绘画美学追求的历史转折