1.
Impressionistic Composer Achille-Claude Debussy
印象主义作曲家德彪西——兼论德彪西钢琴作品的主要创作手法
2.
"Using a whole-tone scale of five tones, free treatment of rhythm, and subtle dynamics (loudness and softness), Debussy turned away from Wagner when he composed the. atonal and impressionistic "Pelleas and Melisande"(1902)."
德彪西在创作强弱)变化手法。
3.
STANISLAV BUNIN PLAYS CHOPIN&DEBUSSY
布宁:肖邦与德彪西钢琴作品音乐会
4.
The Primary Study on the Stream of Consciousness in Debussy s Music;
德彪西音乐中的“意识流”现象初探
5.
Analysis about Debussy Orchestral Music Work "Herd the Magical Afternoon";
德彪西管弦乐作品《牧神午后》探析
6.
An Music Analysis of "Pagodas" in "Estampes"(Woodprints) by Claude Debussy;
德彪西《版画集》之《塔》音乐分析
7.
An Analysis on Singing Treatment of Debussy s Chansons de Bilitis;
德彪西《比利蒂斯之歌》的演唱分析
8.
On the Impressionist Piano Music from Debussy s The Moonlight;
从德彪西《月光》论印象主义钢琴音乐
9.
Reflections in the Water by Claude Debussy and Its Golden Section;
德彪西的《水中倒影》及其黄金分割
10.
Harmonic Flux in Debussy’s Reflets dans l eau;
德彪西《水中倒影》的和声游移特征
11.
The Blend of Reality and Vision--The sentiment from Claude-Achille Debussy s music;
“现实”与“虚幻”的交织——有感于德彪西音乐
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Looking at the Impressionist Music from Debussy Piano Composition;
从德彪西的钢琴创作看印象主义音乐
13.
Difficulty Analysis in Teaching Debussy s "Piano Prelude";
德彪西《钢琴前奏曲》教学难点探究
14.
The Analysis of Debussy's Music and Performance in 《Images》1
德彪西《意象集》Ⅰ的音乐与演奏分析
15.
"Using a whole-tone scale of five tones, free treatment of rhythm, and subtle dynamics (loudness and softness), Debussy turned away from Wagner when he composed the. atonal and impressionistic "Pelleas and Melisande"(1902)."
德彪西在创作节奏和细微的力度(强弱)变化手法。
16.
You mean Debussy, Ravel, and those composers?
你是指像德彪西、瑞佛尔等作曲家的音乐吗？
17.
Artistic Style and Skills in Musical Performance of Suite Bergamasque of Claude Debussy
德彪西《贝尔加玛组曲》的创作风格及演奏技法
18.
Debussy s Piano Music and the Art of Impressionist Paintings Comparative Study;
德彪西钢琴音乐与印象派绘画艺术的比较研究