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1.
The Painting Conception of Barbizon School from Painting Space
从绘画空间谈巴比松画派的绘画境
2.
Aesthetics of Environmental Art:Pursuing Picturesque Environment or keeping Harmony Between Man and Nature or Integrating Natural and Cultural Factors;
环境艺术之美——画境 意境 化境
3.
Interpretation Bonnard's Painting Color and the Realm of Painting
解读博纳尔的绘画色彩及其绘画境
4.
Chinese Gardens and Realm of Chinese Gardens Equals to that of Landscape Paintings,while Imitation should Obey the Nature--Discussion about the Art Realm of Similar Figuration and Perfect Verve, in Two Works"Hua Lun"and"Yuan Ye";
园境皆画境 师法贵自然——试论《画论》与《园冶》貌似神合的艺术境界
5.
Disposition of Poetry and Artistic Conception of Painting On Painting Aesthetics in Poetry of NI ZAN;
诗情与画境——倪瓒诗词绘画中的美学思想
6.
The Pome-like Mood in the Chinese Oil Painting--Opinions on the Image Oil Painting
中国油画的诗画意境——意象油画之我见
7.
On untranslatability of yi jing (artistic mood) of the classic Chinese poetry;
画虎画皮难画骨——论古典诗歌中“意境”的可译性
8.
Blank Spaces Yield Exquisite Artistic Conception- On the Existence and Non-existence Conceptions in Chinese Painting Theory of Qing Dynasty;
无画处皆成妙境——述清代画学虚实观
9.
The Blank Art of the Chinese Painting in the Context of Contemporary Painting
当代绘画语境中的中国画“空白”艺术
10.
Harmony between Inscription Calligrphy and Artistic Conception in Chinese Painting
论中国画题款书法与画面意境的和谐
11.
What I sought after was artistic conception in my paintings
我所求的只是画的情境。
12.
picture frustration test
罗氏逆境图画反应测验
13.
This landscape painting is a consummate work of art.
这幅山水画已臻化境。
14.
Making Paintings Magnificently Conceived by Putting Affections on the Objects --My outlok on Artistic conceptions;
缘物寄情 寓意于境——我的山水画意境观
15.
The Distant,Hidden and Occult Artistic Concepts--on the consciousness of space in the landscape paintings in Song and Yuan Dynasty;
远境·藏境·玄境——论宋元山水画所表现的空间意识
16.
The Scenery Has the Boundary--Song Yuan Landscape Painting Composition Evolution and Drawing Thought;
山水有境——宋元山水画构图演变及绘画思想研究
17.
Seeking Emotional Ideal of Chinese Painting in Creating Oil Painting──An explanation in creating oil painting 《Ancient Charms at Min Nan(Southern Fujian)》;
在油画创作中寻找中国绘画的情感境界——《闽南古韵》油画创作阐释
18.
On the Influence of Chan Sect on the Traditional Chinese Painting Art from the Perspective of its Characteristics after the Rise of Chan Sect;
从禅宗兴起后中国画意境的特点来看禅宗对中国画意境的影响