1.
The place of tender opening: Xi an Qujiang newly developed area Management committee.
开标地点：西安市曲江新区管理委员会。
2.
Research on Lightning Protection for Secondary System in 500kV Qu Jiang Substation;
500kV曲江变电站二次系统防雷研究
3.
Some Doubts about the Written Time of YUAN Zhen s Poetry Hundred Lines in the Name of the Old Man By the Meandering River;
元稹《代曲江老人百韵》诗作年质疑
4.
The fresh and lyrical quality of Zhonghua Liuban is typical of the musical style south of the Yangtze.
该曲曲调清新抒情，富有浓郁的江南风味。
5.
Theory on the traditional opera temperament by Shen Chongsui;
沈宠绥的戏曲声律论──江苏古代戏曲家研究之五
6.
the land inside an oxbow bend in a river.
江河的U形弯曲内侧的陆地。
7.
Study of the Influence about Dealings between Scholar and Prostitute Bringing to the Drama in Late Ming Dynasty in Jiangnan;
晚明江南士妓交谊对戏曲影响之研究
8.
On the Schools of Legend Opera in the Jiangnan Area in the Ming and Qing Dynasties;
明清时期江南地区传奇戏曲流派考论
9.
The Art Characteristic of Qingzhu s Song “I Live on the Head of the Yangtze River”;
浅析青主《我住长江头》歌曲的艺术特征
10.
Analysis of the Tenth Symphony by Zhu Jian er;
试析朱践耳《第十(江雪)交响曲》
11.
A consummate picture of the ancient city --Comments on “the Twenty-Four Scenes of Jingjiang”;
一曲古城绝唱——解读周镐《京江廿四景》
12.
On the Artistic Handing of the Erhu Fiddle Solo -- "the Flowing Water;
谈二胡独奏曲《江河水》的艺术处理
13.
Grammatical Phenomena of Hakka & Gan Dialects in Local Operas in Jiangxi;
江西地方戏曲中的客赣方言语法现象
14.
Qing Zhu and the Artistical Song He Composed --“I Live at The Source of TheYangtze River”;
青主和他创作的艺术歌曲——《我住长江头》
15.
The Investigation and Research of Kun Qu Shifan
浙江遂昌“昆曲十番”音乐形态探析
16.
for the liuqin by Wang Huiran (Silver Lake and Golden Waves); for the rewafu by Usmanjiang (Spring in the Tianshan Mountains);
柳琴曲有王惠然《银湖金波》，热瓦甫曲有乌斯满江《天山的春天》，
17.
Types of the Quyi Music-Classifying the Quyi Music From Music Itself (With Zhejiang as an Example);
曲艺音乐的类种——从音乐本身为曲艺音乐分类(以浙江为例)
18.
Ballad of Xizhou and Military Demarcation Line of Northern and Southern Dynasties--Also on the Creation Time of Ballad of Xizhou
《西洲曲》与南北朝长江军事分界线——兼论《西洲曲》的创作时代