1.
How to Draw a Conclusion--A Comment on the Narration of Dust Landing;
尘埃如何落定——试析《尘埃落定》的叙述
2.
Reality through the Dust;
穿透尘埃的真实——读阿来的《尘埃落定》
3.
The Defining of an “Idiot”--A Comment on Dust Settled Down
“傻子”的界限——评《尘埃落定》
4.
The World of ust in the Eyes of a Fool --Analysing Alai The Dust Settles Down
一个傻子眼中的“尘埃”世界——试析阿来的《尘埃落定》
5.
Eyes not Blurred with Dust-An analysis on the second masteridiot in Dust Settled;
尘埃迷不住的眼睛——析《尘埃落定》中的傻子
6.
On Everything Being There s Carnival Features and Folk Culture;
论《尘埃落定》的狂欢特征与民间文化
7.
Contrast and Symbol of People in Red Poppies;
《尘埃落定》中人物形象的对比象征
8.
The Lumbersome of Culture Change--After Reading the Novel Dust in the Air Has All Fallen;
沉重的文化变迁——读阿来的《尘埃落定》
9.
Chen Ai Luo Ding:The Last Brilliance in the Historical Elegy;
《尘埃落定》:历史挽歌中的一抹夕阳
10.
The Fable of Chinese Wisdom:Cultural Interpretation of Alai s Dust in the Air Has All Fallen;
中国智慧的寓言——《尘埃落定》的文化解读
11.
The Figurative Features of Chen’iluoding: Every Detail Comes out of Emotion;
一枝一叶总关情——《尘埃落定》的比喻特色
12.
Scene at the End of the Century: An Illustration of the Artistic Magic in Down of the Dust;
世纪末的风景——《尘埃落定》艺术魅力解读
13.
Aesthetics Dialectics of Character Description in 《Bai Lu Yuan》 and 《Chen Ai Luo Ding》;
人物美学辩证法:《白鹿原》与《尘埃落定》
14.
Dust falling down the proceeding of history s cultural rethinking;
《尘埃落定》:历史进程的文化反思
15.
Comparison Between Cheng Ai Luo Ding and Bai Nian Gu Du;
《尘埃落定》与《百年孤独》之比较
16.
Irony of the Text--Comments on Everything Being There;
文本结构的反讽策略——《尘埃落定》散论
17.
Analyzing the Overlapping Method in Red Poppies Characters Creation
浅析《尘埃落定》中人物形象的叠加性
18.
Interpretation of The Landing of Dust from a Perspective of Multivariate Interactive Culture
《尘埃落定》的多元互动文化观解读