1.
The Chinese Type of Topic by Zang Ke-jia--His Poetry Before 1949;
臧克家的中国式题材——论臧克家建国前的诗歌创作
2.
Zang Kejia as Editor:A Case Study of the Laws of Edition;
编辑臧克家研究——兼探编辑规律是什么
3.
The Limits of Realism: Review Zang Kejia s Theory about New Poetry;
“现实主义”的限制——臧克家诗歌理论述评
4.
About Peng Guier s Friendship with Guo Moruo and Zan Kejia;
论彭桂萼与郭沫若臧克家等人的交往
5.
The Revelations of Zang Ke-jia s New Poetry Creation to Contemporary Chinese Parnassus;
臧克家的新诗创作对当代诗坛的启示
6.
Cost of Advocation:Zang Kejia and Authority Discourse in Modern Literature;
捍卫的代价——臧克家与当代文学权威话语
7.
Rhyming in Modern Poetry: Zang Kejia s Practice and Viewpoints;
论臧克家新诗创作的押韵及新诗押韵观
8.
Clear Breeze,Bright Principles and Club Fragrantness at the Old Age-On Zang Kejia s New Poem with Short Lines from the Establishment of China;
清风晚节老梅香——论臧克家建国以来的新诗短章
9.
The Old Horse in the Perspective of Modern Metrical Poetry;
现代格律诗视野中的《老马》——臧克家的诗《老马》新解
10.
ZANG Ke-jia s Realistic Personality in His Artistic Creation of Poems;
臧克家诗歌创作艺术的现实主义个性化特质
11.
Cornerstone in the Stylistic Building of New Poetry--On Zang Kejias Collection of Poems "Brand;
新诗文体建设的奠基之作——论臧克家诗集《烙印》
12.
The Transcendence of the Poetry Theory of Zang Kejia over Ancient Theories;
继承与超越——臧克家的现代诗论与中国古代诗论
13.
On "the Affinity to People" in Zang Kejia's Poems before the Foundation of People's Republic of China:A Realistic Perspective
从现实主义看臧克家建国前诗歌的人民性
14.
Tension between the Modernity and the Tradition--A Review of Zang Kejia Antecedent Poetry;
现代性与传统的张力之间——对臧克家前期诗作的再审视
15.
A New Starting Point for Chinese New Poetry:On the Significance of Zang Kejia s Poetry in Literary History;
中国特色新诗的新起点——臧克家诗歌创作的文学史意义(下)
16.
Painful Songs:A Way of Chinese Poetry, from Du Fu, Wu Jiaji to Zang Kejia;
苦吟:从杜甫、吴嘉纪到臧克家——检讨中国诗歌发展的一条道路
17.
Zang ke-jia, A Distinctive and Outstanding Poet --The Creativity in (Brand) and《Wicked Hands》;
屹然独出的臧克家——《烙印》和《罪恶的黑手》的创新意义
18.
A Comparison in the Viewpoint of Countryside and Metropolis between Yecenin and Zang-Kejia;
在乡村和城市之间——叶赛宁与臧克家的城乡观比较