1.
The Evolution of the Heroes of the Outlaws of the Marsh from Yuan Za JU;
水浒英雄在元杂剧与《水浒传》中的嬗变
2.
The Comparison of the Play of Shuihu and All Men are Brothers;
元杂剧水浒戏与小说《水浒传》比较
3.
Relationship between Shuihu multi-operas in the Ming Dynasty and Water Margin;
明代水浒杂剧与《水浒传》的关系度
4.
Gensou Suikoden Card Stories
幻想水浒传-卡片传说
5.
An ideological research and analysis of Water Margin in 20th century;
20世纪《水浒传》思想研究及《水浒传》思想论析
6.
On the Heroine Images in the Novels of Shuihuhouzhuan,Houshuihuzhuan and Dangkouzhi;
论《水浒后传》《后水浒传》《荡寇志》中的女英雄形象
7.
The Cohesive Relationship between Shu Hui Drama of the Yuan Dynasty and Shui Hu Zhuan;
试论元代水浒戏与《水浒传》之间的相承关系
8.
Unique Exploration of the Artistic Charm of Book of Water Margin--Some Simple Comments about the Individual Legal Matter of the Book of Water Margin;
《水浒传》艺术魅力的独特探索—简评《〈水浒〉公案论》
9.
Yuan Dynasty Opera Based on The Water Margin and the Early development of Its Poetic Structure;
元代水浒戏与《水浒传》诗性结构的先期发育
10.
The Comparison of Female Characters in the Play of Shui hu And in the All men are brothers;
水浒戏中的搽旦与《水浒传》中的女性形象
11.
The Interpretation of Shuihu Drama on the Water Margin in Ming Dynasty and Its Positive Significance
明人水浒戏对于《水浒传》的诠释及其积极意义
12.
Outlaws of the Marsh and the People s Psychological Demands in China s Traditional Community;
《水浒传》与我国传统社会大众心理诉求
13.
Analysis of HONG Ji-tong s Biography and its comparative research with The Water Margin;
《洪吉童传》简析及与《水浒传》的比较研究
14.
All Men are Brothers:Heredity and Variation of the Chivalry-admiring Thought;
《水浒传》:尚侠思想的遗传与变异
15.
Attitudes to Feminie Revealed by Water Margin and Chinese Traditional Culture;
《水浒传》与中国传统文化中的女性观
16.
On "The Water Margin" on the Legal Case of the Inheritance and Development of Novel
试论《水浒传》对公案小说的传承与发展
17.
The Hero's Beginning and Destination of "Outlaws of the Marsh"--new ponder on "Outlaws of the Marsh" of heroic nature debate
水浒英雄的起点与终点——《水浒传》英雄性质论争新思考
18.
The Folk Features of Seular Ethics and Group Selection of the Water Margin Heroes--and on the Brotherhood in the Water Margin
世俗伦理的民间特征与水浒英雄的群体选择——浅论《水浒传》的“义”