1.
Evolution of “Yi” from Retired Personality to Aesthetic Category;
“逸”从隐逸人格向审美范畴的演进
2.
On Chinese Reclusive Thought and Chinese Reclusive Literature in Pre-Qin Period and the Han Dynasty;
先秦隐逸思想及先秦两汉隐逸文学研究
3.
Comparison of Poems Between Ten Talents in Dali Period and Poets in Seclusion;
大历十才子与方外隐逸诗人之隐逸诗比较
4.
The main characteristic of retreating from the reality can be reduced to one word - “reclusion”.
“隐逸”的主要特点可以归纳为一个字:“隐”。
5.
The main character of the hermit can be concluded in one word--hiding. The hermits in the Han Dynasty are referred to those who were far away or avoided from social reality.
“隐逸”的主要特点可以归纳为一个“隐”字。
6.
Interest and Leisure in the Transformation from Gumption to Withdrawal
“进击”向“退隐”转型中的“趣味隐逸”
7.
A Comment on ZHOU Zuo-ren s Reclusive Tendency During 1920s and 1930s;
“隐逸”的一种限度——试论20世纪20-30年代周作人的“隐逸”转向
8.
From the Petty to the Great and to the Middle in Reclusion-the Evolution of the Reclusion Conception and Its Cultural Implication;
从小隐、大隐到中隐——论隐逸观念的递嬗及其文化意蕴
9.
The Anchoret Living of Bureaucracy and the Cultural Spirit of the Privacy Life of the Scholar-officials in the Song Dynasty;
“吏隐”与宋代士大夫文人的隐逸文化精神
10.
Like the orchid flower, it typifies the idea of charm in seclusion.
它和兰花一样，象征着隐逸的美。
11.
Contributions to China's Ancient Environmental Aesthetics Made by Reclusive Culture
隐逸文化对中国古代环境美学的贡献
12.
Hermit Writers Personality and Their Pursuit in the Beginning of Song Dynasty;
宋初隐逸作家的人格变易与诗风追求
13.
On the English Translation Strategies of the Seclusion Culture in Chinese Ancient Poetry;
浅谈中国古诗中隐逸文化的英译策略
14.
Evading to aesthetics--MENG Hao-ran s reclusion and its cultural significance;
遁归审美——孟浩然之隐逸及其文化意义
15.
On differences between two kinds of Yuan operas and their social background;
论元曲隐逸剧的儒道之别及时代特征
16.
On Hermit Verse of LU You;
未为尧舜用 且向烟霞托——论陆游隐逸词
17.
From the Claim to "Simple" of Henry David Thoreau and TaoYuanming to See Their "Recluse";
从对“朴”的诉求看梭罗与陶渊明的“隐逸”
18.
Heavily Supass--A Dicuicom of Seclusive Poems of Ruan Ji and Ji Kang;
超越中的沉重——论阮籍、嵇康隐逸诗