1.
M · Garcia is the well-known authority on the teaching of bel canto and theory of vocal music.
加尔西亚是世界公认的美声学派声乐教学和声乐理论的权威。
2.
The Dialect Problems of Students in Guizhou Province Appearing in Vocal Music Study;
贵州声乐学生(美声)学习中的方言问题
3.
The Precursor of Xianxue--Also about the Synthesis of Aesthetics and Uglinics;
咸学的先声——兼论美学与丑学的合题
4.
On Several Ways in Vocul Music Teaching;
声乐教学中美声、民族唱法教学方法的异同分析
5.
He learned to bel canto in a conservatory.
他在音乐学院学习的是美声唱法。
6.
Aesthetic Ideology against Confucianism in Jikang s Sound without Dirge;
嵇康《声无哀乐论》中反儒学的美学思想
7.
On Ji Kang s Philosophical and Aesthetic Thought that Music Embodies no Emotions;
论嵇康“声无哀乐”的哲学美学思想
8.
The Study of American CFL Learners Variability in Acquiring Mandarin Third Tone;
美国学生习得普通话第三声的声调变异研究
9.
On the Differences between Bel Canto and Folk Singing in Vocal Music Teaching;
论高职声乐教学中美声和民族唱法的区别
10.
Application of Nationalization of Bel Canto in Vocal Music Education;
浅谈声乐教学中美声唱法民族化的运用
11.
On the Compatibility of the Teaching Method on Bel Canto, Folk Singing and Popular Singing
论美声、民声、通俗三种唱法教学的兼容性
12.
Bel Canto Factors in Jin Tielin's National Singing Teaching System
金铁霖民族声乐教学体系中的几个美声因素
13.
The Vocality Art under the Visual Field of Body Aesthetics--Take Vocal Beauty of the Ethical Singing as Example;
身体美学视野下的声乐艺术——以民族唱法的声腔美为个案
14.
Beauty beyond the Word,Performed by the Dance--A study on mountain·wind from the aesthetic perspective
大美无言 落地有声——解读美学视野下的《山·风》
15.
A Study on Artistic Expressive Force and Aesthetic Features of Film Voice;
电影人声的艺术表现力与美学特征论
16.
Music Aesthetic Ideas in Sound without Dirge;
《声无哀乐论》音乐美学思想研究述评
17.
The Harmony Aesthetical Ideology in Ji Kang s No Sadness in Music;
论嵇康《声无哀乐论》的“和”美学思想
18.
The Role Which " the Beautiful Sound " in Pronunciation Teaching of Modern Chinese;
“音声美”在现代汉语语音教学中的作用