1) peddlers in Song and Yuan dynasties
宋元"货郎儿"
2) huolang'er
货郎儿
3) jiuzhuɑnhuolɑng'er
九转货郎儿
4) Research of "the Peddlers
"货郎儿"推考
5) Song and Yuan Dynasties
宋元
1.
On the Development of Shiwan s Ceramic Art During the Song and Yuan Dynasties;
略论宋元时期石湾陶瓷艺术的发展
2.
The Wine Culture of Hangzhou during the Song and Yuan Dynasties Reflected in Water Margin;
《水浒》所反映的宋元杭州酒文化
3.
On the Regional Consciousness of Colloquial Story Writers of Song and Yuan Dynasties;
论宋元话本小说家的地域意识
6) SongYuan
宋元
1.
From SongYuan story-telling scripts to Ming Dynasty s vernacular detective-style fictions,judges connotation has had the remarkable change:By is denied changes gradually was affirmed;The position approaches gradually in the novel by the edge to the center;Drops the manner gradually by the god;Combines gradually with the case litigant.
宋元话本到明代的白话公案小说,判官形象内涵发生了显著的变化:由被否定逐渐转向被肯定;在小说中位置由边缘逐渐向中心靠近;由神逐渐下降为人;与案件当事人逐渐合二为一。
2.
From Songyuan story-telling scripts to Qing Dynasty’s vernacular detective-style fictions, judges development and the evolution divide into two stages: from Song Yuan to Ming dynasty, the judges changed from being denied to affirmed gradually; The position in the novel changed from the edge to the center; arised from the human to the god.
从宋元话本到清代的白话公案小说,判官形象的发展和演变分为两个阶段:由宋元到明,判官形象由否定逐渐转向肯定;由边缘向中心靠近;由人上升为神。
补充资料：货郎儿
中国宋、元时期由"叫声"发展而成的一种歌曲和说唱艺术。"叫声，自京师起撰。因市井诸色歌吟、卖物之声，采合宫调而成也"（《武林旧事》）。宋、元以来，来往于城乡贩卖日用杂物和儿童玩具的挑担小贩，称为货郎儿。他们沿途敲锣摇鼓,唱着物品的名称以招徕顾客，其所唱的腔调不断被加工定型而称为〔货郎儿〕或〔货郎太平歌〕、〔转调货郎儿〕。元代，歌曲货郎儿与散说相配合，叙述故事，成为说唱货郎儿，其作品今未见，但从元杂剧《风雨像生货郎旦》第4折中,可见到艺人说唱货郎儿的场面。其所唱的货郎儿曲调称〔转调货郎儿〕(乐谱见叶堂编《纳书楹曲谱》正集卷二《女弹》折),共分9段，从〔二转〕起至〔九转〕，每段都将〔货郎儿〕分为头尾两部分，中间插以1支或2支其他曲牌组成。关于〔转调货郎儿〕(亦称〔九转货郎儿〕)的结构形式和乐谱收于清代李玉编《北词广正谱》和《九宫大成南北词宫谱》中。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条